David Ruffin The Double Cross 1969

David Ruffin The Double Cross 1969....!

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Channel Title : blues676

Views : 250280

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Published Date : 2008-07-08T18:43:45.000Z

David Ruffin - The Double Cross 1969
    

Channel Title : MANNY MORA

Views : 10144

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Published Date : 2013-05-02T15:12:08.000Z

After rising to superstardom as the Temptations' co-lead vocalist, David Ruffin concluded his oft-tumultuous relationship with the Motown quintet to forge a solo career. His debut album was less a statement regarding his status as a former Temp and more a reflection of the artist's temperament. Although drugs would begin to erode his immeasurable talents from the inside out, Ruffin can be heard at the top of his game on My Whole World Ended (1969). While he may have been out of the band, he was still considered a key component in the Motown family and, at least for a while, was afforded support by the best and brightest that the label had to offer. Among the perks was working with top-notch hit making producers Harvey Fuqua, Johnny Bristol, Paul Riser,and Ivory Joe Hunter -- all of whom add their magic to the mix. Ruffin's vocals are uniformly inspired, particularly when he pours himself into the performance. The LP kicks off with the title track, "My Whole World Ended (The Moment You Left Me)." The song's dark and somewhat menacing tone provides all the atmosphere Ruffin needs to unleash his trademark heart-wrenching leads. It is no wonder that the number made a significant impact as a Top Ten crossover smash. As was the assembly line nature of new Motown product, quite often the deeper cuts were just as appealing, especially when it was David Ruffin behind the microphone. The mid-tempo soul-stirrer "Pieces of a Man," as well as the churning funk-a-thons "World of Darkness" and "Flower Child" may be the effort's sleeper classics. Ruffin certainly isn't afraid to wear his heart on his sleeve either as the ballads "Message from Maria," "I've Lost Everything I've Ever Loved" and the radiant waltz "My Love Is Growing Stronger" demonstrate to great effect. Pop music fans will undoubtedly recognize the melody to "Everlasting Love" as it had already been a hit for Robert Knight two years earlier in 1967, while Carl Carlton -- a fellow Detroit-based singer -- would score even higher with his 1974 update. Perhaps the same fate could have befallen Ruffin's take had it been extracted as a single release. In the end the project didn't need too much help to take to the top of the R&B album survey for two weeks and into the Top 40 on the pop side. Parties looking for My Whole World Ended on CD are encouraged to check out the Hip-O Select Great David Ruffin: The Motown Solo Albums, Vol. 1 (2005) double-disc anthology. The contents have been digitally remastered and also offer Ruffin's follow-up long-players Feelin' Good (1969), David Ruffin (1973), and Me 'N Rock 'N Roll Are Here to Stay (1974).
    

Channel Title : David Ruffin - Topic

Views : 3629

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Published Date : 2017-02-09T05:46:53.000Z

Provided to YouTube by Universal Music Group North America The Double Cross · David Ruffin The Ultimate Collection: David Ruffin ℗ 1969 Motown Records, a Division of UMG Recordings, Inc. Released on: 1998-01-01 Producer: George Gordy Author, Composer: George Gordy Author, Composer: Allen Story Music Publisher: EMI April Music Music Publisher: EMI Blackwood Music Inc. Auto-generated by YouTube.
    

Channel Title : Dennis Zagorski

Views : 19369

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Published Date : 2012-06-23T17:35:17.000Z

    

Channel Title : David Ruffin - Topic

Views : 96

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Published Date : 2017-02-09T13:15:20.000Z

Provided to YouTube by Universal Music Group North America The Double Cross · David Ruffin The Temptations / One By One / The Best Of Their Solo Years ℗ 1969 Motown Records, a Division of UMG Recordings, Inc. Released on: 1996-01-01 Producer: George Gordy Author, Composer: George Gordy Author, Composer: Allen Story Music Publisher: EMI April Music Music Publisher: EMI Blackwood Music Inc. Auto-generated by YouTube.
    

Channel Title : avetrey

Views : 3804

Likes : 28

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Published Date : 2009-01-27T01:18:59.000Z

Avetrey singing a classic by David Ruffin titled Double Cross
    

Channel Title : sholondia

Views : 180092

Likes : 1075

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Published Date : 2009-01-16T17:11:13.000Z

now aint that sexy wow!
    

Channel Title : MANNY MORA

Views : 12525

Likes : 114

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Published Date : 2013-05-02T14:46:20.000Z

After rising to superstardom as the Temptations' co-lead vocalist, David Ruffin concluded his oft-tumultuous relationship with the Motown quintet to forge a solo career. His debut album was less a statement regarding his status as a former Temp and more a reflection of the artist's temperament. Although drugs would begin to erode his immeasurable talents from the inside out, Ruffin can be heard at the top of his game on My Whole World Ended (1969). While he may have been out of the band, he was still considered a key component in the Motown family and, at least for a while, was afforded support by the best and brightest that the label had to offer. Among the perks was working with top-notch hit making producers Harvey Fuqua, Johnny Bristol, Paul Riser,and Ivory Joe Hunter -- all of whom add their magic to the mix. Ruffin's vocals are uniformly inspired, particularly when he pours himself into the performance. The LP kicks off with the title track, "My Whole World Ended (The Moment You Left Me)." The song's dark and somewhat menacing tone provides all the atmosphere Ruffin needs to unleash his trademark heart-wrenching leads. It is no wonder that the number made a significant impact as a Top Ten crossover smash. As was the assembly line nature of new Motown product, quite often the deeper cuts were just as appealing, especially when it was David Ruffin behind the microphone. The mid-tempo soul-stirrer "Pieces of a Man," as well as the churning funk-a-thons "World of Darkness" and "Flower Child" may be the effort's sleeper classics. Ruffin certainly isn't afraid to wear his heart on his sleeve either as the ballads "Message from Maria," "I've Lost Everything I've Ever Loved" and the radiant waltz "My Love Is Growing Stronger" demonstrate to great effect. Pop music fans will undoubtedly recognize the melody to "Everlasting Love" as it had already been a hit for Robert Knight two years earlier in 1967, while Carl Carlton -- a fellow Detroit-based singer -- would score even higher with his 1974 update. Perhaps the same fate could have befallen Ruffin's take had it been extracted as a single release. In the end the project didn't need too much help to take to the top of the R&B album survey for two weeks and into the Top 40 on the pop side. Parties looking for My Whole World Ended on CD are encouraged to check out the Hip-O Select Great David Ruffin: The Motown Solo Albums, Vol. 1 (2005) double-disc anthology. The contents have been digitally remastered and also offer Ruffin's follow-up long-players Feelin' Good (1969), David Ruffin (1973), and Me 'N Rock 'N Roll Are Here to Stay (1974).
    

Channel Title : D P

Views : 1052

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Published Date : 2012-07-15T20:57:21.000Z

    

Channel Title : MANNY MORA

Views : 96469

Likes : 623

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Published Date : 2013-05-02T14:29:32.000Z

After rising to superstardom as the Temptations' co-lead vocalist, David Ruffin concluded his oft-tumultuous relationship with the Motown quintet to forge a solo career. His debut album was less a statement regarding his status as a former Temp and more a reflection of the artist's temperament. Although drugs would begin to erode his immeasurable talents from the inside out, Ruffin can be heard at the top of his game on My Whole World Ended (1969). While he may have been out of the band, he was still considered a key component in the Motown family and, at least for a while, was afforded support by the best and brightest that the label had to offer. Among the perks was working with top-notch hit making producers Harvey Fuqua, Johnny Bristol, Paul Riser,and Ivory Joe Hunter -- all of whom add their magic to the mix. Ruffin's vocals are uniformly inspired, particularly when he pours himself into the performance. The LP kicks off with the title track, "My Whole World Ended (The Moment You Left Me)." The song's dark and somewhat menacing tone provides all the atmosphere Ruffin needs to unleash his trademark heart-wrenching leads. It is no wonder that the number made a significant impact as a Top Ten crossover smash. As was the assembly line nature of new Motown product, quite often the deeper cuts were just as appealing, especially when it was David Ruffin behind the microphone. The mid-tempo soul-stirrer "Pieces of a Man," as well as the churning funk-a-thons "World of Darkness" and "Flower Child" may be the effort's sleeper classics. Ruffin certainly isn't afraid to wear his heart on his sleeve either as the ballads "Message from Maria," "I've Lost Everything I've Ever Loved" and the radiant waltz "My Love Is Growing Stronger" demonstrate to great effect. Pop music fans will undoubtedly recognize the melody to "Everlasting Love" as it had already been a hit for Robert Knight two years earlier in 1967, while Carl Carlton -- a fellow Detroit-based singer -- would score even higher with his 1974 update. Perhaps the same fate could have befallen Ruffin's take had it been extracted as a single release. In the end the project didn't need too much help to take to the top of the R&B album survey for two weeks and into the Top 40 on the pop side. Parties looking for My Whole World Ended on CD are encouraged to check out the Hip-O Select Great David Ruffin: The Motown Solo Albums, Vol. 1 (2005) double-disc anthology. The contents have been digitally remastered and also offer Ruffin's follow-up long-players Feelin' Good (1969), David Ruffin (1973), and Me 'N Rock 'N Roll Are Here to Stay (1974).
    

Channel Title : MANNY MORA

Views : 175936

Likes : 1218

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Published Date : 2013-05-04T13:42:36.000Z

It's well known that Motown recorded more material than it could release, but its reasons for shelving material remain a mystery to this day. Ever since the CD reissue boom of the late '80s, this unreleased material has begun to trickle out of the vaults, and when it does surface in such forms as the dynamite double-disc set A Cellarful of Motown!, the music is so good it's hard to believe that it never was released at the time. Knowing this, it should not come as a complete surprise that former Temptations lead singer David Ruffin had a full, completed album shelved in 1971, but hearing Hip-O Select's excavation of that album on the 2004 release David: The Unreleased Album, it's still a wonder that this record sat in the vaults for over three decades, with very few of the songs recorded during the sessions appearing on other records and compilations over the years. Far from being unreleasable, David (titled as such because the album was never given a proper title -- it was given a catalog number and track sequencing, with David Ruffin penciled in as its name, but that was used as the title for his 1973 album) finds Ruffin at a solo peak, not just a singer but in terms of material. He cut the 12 songs that comprised the album, along with the seven bonus tracks from the same sessions that fill out this CD reissue, in late 1969 and 1970, after he had a big solo hit with "My Whole World Ended (The Moment You Left Me)," with the intent of releasing the album in 1971. There were a pair of covers of recent hits -- an appropriately heartbroken and seductive "Rainy Night in Georgia" and a rather revelatory "I Want You Back," which added real grit to the Jackson 5's effervescent smash -- but most of this was material written for Ruffin and it played to his strengths. While this music was rooted in Motown's signature sound and performed by the Funk Brothers, it also looked beyond Detroit, adding heavy doses of funk, psychedelia, and smooth soul, filled with galvanizing horns, driving guitars, down-n-dirty clavinets, flourishes of electric sitar, fuzz tones, and wah-wah guitars, all grounded by Ruffin's earthy testifying and tied together by top-notch songwriting. All these elements wound up sounding much hipper than much of the music officially released by Motown in the early 1970, when Stevie Wonder and Marvin Gaye were just beginning to break free of the studio's formula, and while David and its accompanying bonus tracks are not a masterpiece along the lines of Talking Book or What's Going On (or even Where I'm Coming From, for that matter), it's vibrant, exciting music that still sounds fresh -- arguably fresher than full-length Temptations albums of the late '60s -- which qualifies it as a lost classic of sorts. Why was it lost, consigned to the vaults for nearly three and a half decades? According to the liner notes, nobody really knows. Ruffin wasn't popular among the executives at Motown in the early '70s, and he was also going through a number of well-documented personal problems, so it's possible that Motown simply didn't want to promote him at the time, but it's also true that the label had a number of great records, including Marvin's What's Going On, to release in 1971, and Ruffin had two LPs out in 1970, including a duet album with his brother Jimmy, so the market may have been saturated. We'll likely never know the reason why David was buried, but fortunately it has been unearthed, and it's a reason for hardcore soul and Motown fans to celebrate.
    

Channel Title : MANNY MORA

Views : 11625

Likes : 98

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Published Date : 2013-05-03T07:07:58.000Z

Less than six months after the release of his triumphant solo debut My Whole World Ended (1969), Motown issued former Temptations' frontman David Ruffin's dozen-song follow-up Feelin' Good (1969). One factor in such a rapid turnaround was the availability of several leftovers from Ruffin's former project and another was undoubtedly to strike again while the iron was still hot -- as My Whole World Ended had topped the R&B charts for two weeks and spawned a pair of pop crossover hits to boot. Keen-eared listeners can discern the earlier recordings as Ruffin's voice hasn't developed the noticeably grittier quality that is reflected in the opening upbeat soul stirrer "Loving You (Is Hurting Me)." His timeless falsetto has a weariness that simply can't be simulated. Of the two non-Motown covers on this collection, the incendiary update of Dave Mason's "Feelin' Alright" wins hands down over the comparatively uninspired, but charming take of Jackie DeShannon's anthemic "Put a Little Love in Your Heart." None other than Motown founding father Berry Gordy himself is credited with the production on the gospel-flavored ballad "I'm So Glad I Fell for You." The raw emotion in Ruffin's fervent delivery and the spirited support of the Hal Davis Singers were enough to take the tune into the Top 20 R&B charts. Although the specific references may have changed, "I Could Never Be President" is as much a politically charged statement as it is an exuberant love song. It projects a more positive future than the present set of circumstances that most of Ruffin's core audience would have been concurrently experiencing. The exceptionally funky rocker "I Pray Everyday You Won't Regret Loving Me" -- which was co-penned by Gladys Knight and her brother (not to mention a Pip) Merald "Bubba" Knight -- is one of the better remnants from the My Whole World Ended sessions, standing among the album's better deep cuts. The lightness of Ashford & Simpson's "What You Gave to Me" pays an homage to Sagittarius' psychedelic sleeper "My World Fell Down" by essentially stealing the opening lyric "Just like a breath of spring/you came my way" and condensing it to "Like a breath of spring you came...." Ruffin's perfect falsetto helps turn in another excellent leftover, which is also the source for the sublime mid-tempo "I Let Love Slip Away." Before Ruffin was assigned the selection, a backing track was created for fellow Motown artist Marvin Gaye. As Gaye never got around to it, Ruffin was thankfully given a chance to see where he could take it. The austerity of Ruffin's instrument indicates more about his personal state of affairs than perhaps he had intended to reveal. Yet he is able to conjure up the same beguiling temperament that had contributed to masterpieces such as "I Wish It Would Rain" and "My Girl." Hip-O Select's Great David Ruffin: The Motown Solo Albums, Vol. 1 (2005) double-disc anthology includes Feelin' Good and its predecessor My Whole World Ended (1969), as well as David Ruffin (1973), and Me 'N Rock 'N Roll Are Here to Stay (1974) -- all of which have been digitally remastered for optimal fidelity.
    

Channel Title : Anthony Serra

Views : 1209

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Published Date : 2013-10-07T16:21:00.000Z

    

Channel Title : MANNY MORA

Views : 38493

Likes : 267

DisLikes : 1

Published Date : 2013-05-03T05:57:03.000Z

Less than six months after the release of his triumphant solo debut My Whole World Ended (1969), Motown issued former Temptations' frontman David Ruffin's dozen-song follow-up Feelin' Good (1969). One factor in such a rapid turnaround was the availability of several leftovers from Ruffin's former project and another was undoubtedly to strike again while the iron was still hot -- as My Whole World Ended had topped the R&B charts for two weeks and spawned a pair of pop crossover hits to boot. Keen-eared listeners can discern the earlier recordings as Ruffin's voice hasn't developed the noticeably grittier quality that is reflected in the opening upbeat soul stirrer "Loving You (Is Hurting Me)." His timeless falsetto has a weariness that simply can't be simulated. Of the two non-Motown covers on this collection, the incendiary update of Dave Mason's "Feelin' Alright" wins hands down over the comparatively uninspired, but charming take of Jackie DeShannon's anthemic "Put a Little Love in Your Heart." None other than Motown founding father Berry Gordy himself is credited with the production on the gospel-flavored ballad "I'm So Glad I Fell for You." The raw emotion in Ruffin's fervent delivery and the spirited support of the Hal Davis Singers were enough to take the tune into the Top 20 R&B charts. Although the specific references may have changed, "I Could Never Be President" is as much a politically charged statement as it is an exuberant love song. It projects a more positive future than the present set of circumstances that most of Ruffin's core audience would have been concurrently experiencing. The exceptionally funky rocker "I Pray Everyday You Won't Regret Loving Me" -- which was co-penned by Gladys Knight and her brother (not to mention a Pip) Merald "Bubba" Knight -- is one of the better remnants from the My Whole World Ended sessions, standing among the album's better deep cuts. The lightness of Ashford & Simpson's "What You Gave to Me" pays an homage to Sagittarius' psychedelic sleeper "My World Fell Down" by essentially stealing the opening lyric "Just like a breath of spring/you came my way" and condensing it to "Like a breath of spring you came...." Ruffin's perfect falsetto helps turn in another excellent leftover, which is also the source for the sublime mid-tempo "I Let Love Slip Away." Before Ruffin was assigned the selection, a backing track was created for fellow Motown artist Marvin Gaye. As Gaye never got around to it, Ruffin was thankfully given a chance to see where he could take it. The austerity of Ruffin's instrument indicates more about his personal state of affairs than perhaps he had intended to reveal. Yet he is able to conjure up the same beguiling temperament that had contributed to masterpieces such as "I Wish It Would Rain" and "My Girl." Hip-O Select's Great David Ruffin: The Motown Solo Albums, Vol. 1 (2005) double-disc anthology includes Feelin' Good and its predecessor My Whole World Ended (1969), as well as David Ruffin (1973), and Me 'N Rock 'N Roll Are Here to Stay (1974) -- all of which have been digitally remastered for optimal fidelity.
    

Channel Title : SCARBZ1REP

Views : 136

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Published Date : 2012-08-09T22:25:38.000Z

R.I.P. David Ruffin Property of UMG
    

Channel Title : MANNY MORA

Views : 551437

Likes : 4189

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Published Date : 2013-05-05T00:45:32.000Z

David Ruffin's third and self-titled solo offering was in many ways a collaborative effort with Bobby Miller, who produced the David Ruffin (1973) album and supplied eight of its ten tracks. There is a conspicuous dichotomy between the personas that Ruffin portrays throughout the project and the man whose fractious relationship with Motown had practically cost him his association with the label. Things had gotten so bad, they permanently shelved what should have been Ruffin's third LP. Motown simply refused to put it out until cooler heads eventually prevailed some three decades later. He was likewise no longer afforded access to "A-list" material and support musicians either. While his previous outings had sold respectably, they certainly were no match for the likes of Stevie Wonder, Marvin Gaye, or even his former bandmates in the Temptations whose "Papa Was a Rollin' Stone" had been a crossover pop chart topper months earlier. "The Rovin' Kind" gets things underway bearing an almost emblematic mid-tempo Motown groove. Ruffin's once crystalline voice now endures the sonic substantiation of chronic drug and alcohol addiction. In a perverse way, the combination of his aging falsetto, coupled with the rough-hewn timbre, actually enhance his role in the ballad "Common Man," as well as the blithe and bouncy "I'm Just a Mortal Man" with the Andantes providing the equally amicable background vocals. The update of "(If Loving You Is Wrong) I Don't Want to Be Right" -- a seductive side that Luther Ingram had considerable success with the previous year -- is personalized as Ruffin confides in the opening that he is "a man in desperation" backing it up with the plea "can't you help the situation"? His short rhythmically spoken intro continues as he owns up to his reputation as a "wild child," begging the question whether Ruffin is actually in or out of character. The Philly-style soul of the Kenny Gamble/Leon Huff written "I Miss You" suits the heart-wrenching adaptation. The six-plus minute gritty social commentary "Blood Donors Needed (Give All You Can)" is a starkly accurate portrayal of inner-city life. Perhaps in the escapism mentality of the times, it failed to make an impact on the singles charts. Yet, the lack of a marketable 45 seems to have had little relevance on R&B record buyers as David Ruffin made it into the Top Five album survey -- although it did not fare nearly as well, peaking at number 168 on the pop side. Those slipping figures are endemic indicators of the increasing lack of interest that Motown would invest in Ruffin's future endeavors.
    

Channel Title : MANNY MORA

Views : 40415

Likes : 311

DisLikes : 17

Published Date : 2013-05-05T23:41:23.000Z

1974's Me 'n Rock 'n Roll Are Here to Stay, David Ruffin was given another opportunity to prove himself. The former Temptations frontman was teamed with Norman Whitfield -- a producer whose prior accomplishments under the Motown umbrella included a host of indelible classics from the Temptations. Among the most prominent are "Ain't Too Proud to Beg," "Beauty Is Only Skin Deep," "(I Know) I'm Losing You," "You're My Everything," "I Wish It Would Rain," "Cloud Nine," "Runaway Child, Running Wild," "I Can't Get Next to You," "Psychedelic Shack," "Ball of Confusion (That's What the World Is Today)," "Just My Imagination (Running Away with Me)," and "Papa Was a Rollin' Stone." The love-gone-wrong lead track turns into a noir funky excursion replete with horn flairs, a moody and evocative string score, and even synth-produced wind sound effects -- all before Ruffin has sung his first note. Once he kicks in with his begging and soulful yearning, the elements coalesce into an effective and dramatically heart-wrenching "tear-stained letter." The upbeat "Take Me Clear from Here" was scheduled for the A-side of a 45 that would have paired it with the cover of Rare Earth's "I Just Wanna Celebrate." It's a pity that the 7" single was withdrawn, as the laid-back vibe reveals a dimension to Ruffin that was all too rarely heard. Exhibiting a total 180-degree antithesis is the attitude-laden remake of the Undisputed Truth's "Smiling Faces Sometimes," which the vocalist introduces with a spoken prologue before easing into a sincere, almost paternal reading. The context of the times makes his delivery all the more poignant, as it seems that he was maintaining a long and tenuous relationship with many executives and fellow artists at Motown -- a few of whom had fallen out with Ruffin as far back as their days in Detroit. Indeed, it doesn't take much imagination from the listener to hear the wisdom in his voice, which is punctuated by the occasional interjection of his trademark falsetto. This number did make it out as a B-side, coupled with the album's ferocious title track that emphatically proclaims "Me 'n Rock 'n Roll Are Here to Stay." It certainly has been a while since Ruffin has sounded as committed as he does when he unleashes the telling line "I've made a lot of mistakes in my time...." If for no other reason, the reunion between Whitfield and Ruffin could be considered a success. And even as the single failed to make an impression on the charts, the hard-hitting groove remains as a testament to their remarkable talents. Perhaps to infuse some additional mojo to the studio performances and in spite of the rear LP jacket text that proclaims "Motown Recording Studios, Hollywood" as the facility where the project was cut, the second half of the original platter is bathed in fake live concert applause and ambient sounds. The blues-based rave-up "Superstar (Remember How You Got Where You Are)" is practically drowned out by the copious faux audience. Interestingly, the crowd simultaneously ducks out during "No Matter What" and the excellent update of Dobie Gray's "City Stars." Concluding the effort is a cover of "I Just Want to Celebrate," ending the platter on a high note, proving David Ruffin could still create effective and meaningful music when provided with suitable material and headstrong support behind the scenes -- despite his well-publicized personal and professional problems. In 2005, Me 'n Rock 'n Roll Are Here to Stay joined Ruffin'sMy Whole World Ended (1969), Feelin' Good (1969), and David Ruffin (1972) on the Great David Ruffin limited-edition double-CD compilation from Hip-O Select.
    

Channel Title : Antonio Lopez

Views : 5862

Likes : 45

DisLikes : 4

Published Date : 2012-02-27T12:32:44.000Z

    

Channel Title : MANNY MORA

Views : 22503

Likes : 179

DisLikes : 13

Published Date : 2013-05-06T04:34:45.000Z

Although his viability as a contemporary soul artist was clearly in question by the time of 1974's Me 'n Rock 'n Roll Are Here to Stay, David Ruffin was given another opportunity to prove himself. The former Temptations frontman was teamed with Norman Whitfield -- a producer whose prior accomplishments under the Motown umbrella included a host of indelible classics from the Temptations. Among the most prominent are "Ain't Too Proud to Beg," "Beauty Is Only Skin Deep," "(I Know) I'm Losing You," "You're My Everything," "I Wish It Would Rain," "Cloud Nine," "Runaway Child, Running Wild," "I Can't Get Next to You," "Psychedelic Shack," "Ball of Confusion (That's What the World Is Today)," "Just My Imagination (Running Away with Me)," and "Papa Was a Rollin' Stone." The love-gone-wrong lead track turns into a noir funky excursion replete with horn flairs, a moody and evocative string score, and even synth-produced wind sound effects -- all before Ruffin has sung his first note. Once he kicks in with his begging and soulful yearning, the elements coalesce into an effective and dramatically heart-wrenching "tear-stained letter." The upbeat "Take Me Clear from Here" was scheduled for the A-side of a 45 that would have paired it with the cover of Rare Earth's "I Just Wanna Celebrate." It's a pity that the 7" single was withdrawn, as the laid-back vibe reveals a dimension to Ruffin that was all too rarely heard. Exhibiting a total 180-degree antithesis is the attitude-laden remake of the Undisputed Truth's "Smiling Faces Sometimes," which the vocalist introduces with a spoken prologue before easing into a sincere, almost paternal reading. The context of the times makes his delivery all the more poignant, as it seems that he was maintaining a long and tenuous relationship with many executives and fellow artists at Motown -- a few of whom had fallen out with Ruffin as far back as their days in Detroit. Indeed, it doesn't take much imagination from the listener to hear the wisdom in his voice, which is punctuated by the occasional interjection of his trademark falsetto. This number did make it out as a B-side, coupled with the album's ferocious title track that emphatically proclaims "Me 'n Rock 'n Roll Are Here to Stay." It certainly has been a while since Ruffin has sounded as committed as he does when he unleashes the telling line "I've made a lot of mistakes in my time...." If for no other reason, the reunion between Whitfield and Ruffin could be considered a success. And even as the single failed to make an impression on the charts, the hard-hitting groove remains as a testament to their remarkable talents. Perhaps to infuse some additional mojo to the studio performances and in spite of the rear LP jacket text that proclaims "Motown Recording Studios, Hollywood" as the facility where the project was cut, the second half of the original platter is bathed in fake live concert applause and ambient sounds. The blues-based rave-up "Superstar (Remember How You Got Where You Are)" is practically drowned out by the copious faux audience. Interestingly, the crowd simultaneously ducks out during "No Matter What" and the excellent update of Dobie Gray's "City Stars." Concluding the effort is a cover of "I Just Want to Celebrate," ending the platter on a high note, proving David Ruffin could still create effective and meaningful music when provided with suitable material and headstrong support behind the scenes -- despite his well-publicized personal and professional problems. In 2005, Me 'n Rock 'n Roll Are Here to Stay joined Ruffin's My Whole World Ended (1969), Feelin' Good (1969), and David Ruffin (1973) on the Great David Ruffin limited-edition double-CD compilation from Hip-O Select.
    

Channel Title : MANNY MORA

Views : 15313

Likes : 142

DisLikes : 5

Published Date : 2013-05-02T15:58:53.000Z

After rising to superstardom as the Temptations' co-lead vocalist, David Ruffin concluded his oft-tumultuous relationship with the Motown quintet to forge a solo career. His debut album was less a statement regarding his status as a former Temp and more a reflection of the artist's temperament. Although drugs would begin to erode his immeasurable talents from the inside out, Ruffin can be heard at the top of his game on My Whole World Ended (1969). While he may have been out of the band, he was still considered a key component in the Motown family and, at least for a while, was afforded support by the best and brightest that the label had to offer. Among the perks was working with top-notch hit making producers Harvey Fuqua, Johnny Bristol, Paul Riser,and Ivory Joe Hunter -- all of whom add their magic to the mix. Ruffin's vocals are uniformly inspired, particularly when he pours himself into the performance. The LP kicks off with the title track, "My Whole World Ended (The Moment You Left Me)." The song's dark and somewhat menacing tone provides all the atmosphere Ruffin needs to unleash his trademark heart-wrenching leads. It is no wonder that the number made a significant impact as a Top Ten crossover smash. As was the assembly line nature of new Motown product, quite often the deeper cuts were just as appealing, especially when it was David Ruffin behind the microphone. The mid-tempo soul-stirrer "Pieces of a Man," as well as the churning funk-a-thons "World of Darkness" and "Flower Child" may be the effort's sleeper classics. Ruffin certainly isn't afraid to wear his heart on his sleeve either as the ballads "Message from Maria," "I've Lost Everything I've Ever Loved" and the radiant waltz "My Love Is Growing Stronger" demonstrate to great effect. Pop music fans will undoubtedly recognize the melody to "Everlasting Love" as it had already been a hit for Robert Knight two years earlier in 1967, while Carl Carlton -- a fellow Detroit-based singer -- would score even higher with his 1974 update. Perhaps the same fate could have befallen Ruffin's take had it been extracted as a single release. In the end the project didn't need too much help to take to the top of the R&B album survey for two weeks and into the Top 40 on the pop side. Parties looking for My Whole World Ended on CD are encouraged to check out the Hip-O Select Great David Ruffin: The Motown Solo Albums, Vol. 1 (2005) double-disc anthology. The contents have been digitally remastered and also offer Ruffin's follow-up long-players Feelin' Good (1969), David Ruffin (1973), and Me 'N Rock 'N Roll Are Here to Stay (1974).
    

Channel Title : MANNY MORA

Views : 15870

Likes : 117

DisLikes : 4

Published Date : 2013-05-03T06:13:04.000Z

Less than six months after the release of his triumphant solo debut My Whole World Ended (1969), Motown issued former Temptations' frontman David Ruffin's dozen-song follow-up Feelin' Good (1969). One factor in such a rapid turnaround was the availability of several leftovers from Ruffin's former project and another was undoubtedly to strike again while the iron was still hot -- as My Whole World Ended had topped the R&B charts for two weeks and spawned a pair of pop crossover hits to boot. Keen-eared listeners can discern the earlier recordings as Ruffin's voice hasn't developed the noticeably grittier quality that is reflected in the opening upbeat soul stirrer "Loving You (Is Hurting Me)." His timeless falsetto has a weariness that simply can't be simulated. Of the two non-Motown covers on this collection, the incendiary update of Dave Mason's "Feelin' Alright" wins hands down over the comparatively uninspired, but charming take of Jackie DeShannon's anthemic "Put a Little Love in Your Heart." None other than Motown founding father Berry Gordy himself is credited with the production on the gospel-flavored ballad "I'm So Glad I Fell for You." The raw emotion in Ruffin's fervent delivery and the spirited support of the Hal Davis Singers were enough to take the tune into the Top 20 R&B charts. Although the specific references may have changed, "I Could Never Be President" is as much a politically charged statement as it is an exuberant love song. It projects a more positive future than the present set of circumstances that most of Ruffin's core audience would have been concurrently experiencing. The exceptionally funky rocker "I Pray Everyday You Won't Regret Loving Me" -- which was co-penned by Gladys Knight and her brother (not to mention a Pip) Merald "Bubba" Knight -- is one of the better remnants from the My Whole World Ended sessions, standing among the album's better deep cuts. The lightness of Ashford & Simpson's "What You Gave to Me" pays an homage to Sagittarius' psychedelic sleeper "My World Fell Down" by essentially stealing the opening lyric "Just like a breath of spring/you came my way" and condensing it to "Like a breath of spring you came...." Ruffin's perfect falsetto helps turn in another excellent leftover, which is also the source for the sublime mid-tempo "I Let Love Slip Away." Before Ruffin was assigned the selection, a backing track was created for fellow Motown artist Marvin Gaye. As Gaye never got around to it, Ruffin was thankfully given a chance to see where he could take it. The austerity of Ruffin's instrument indicates more about his personal state of affairs than perhaps he had intended to reveal. Yet he is able to conjure up the same beguiling temperament that had contributed to masterpieces such as "I Wish It Would Rain" and "My Girl." Hip-O Select's Great David Ruffin: The Motown Solo Albums, Vol. 1 (2005) double-disc anthology includes Feelin' Good and its predecessor My Whole World Ended (1969), as well as David Ruffin (1973), and Me 'N Rock 'N Roll Are Here to Stay (1974) -- all of which have been digitally remastered for optimal fidelity.
    

Channel Title : Gruntelfluk

Views : 43

Likes : 0

DisLikes : 0

Published Date : 2013-09-21T15:51:37.000Z

    

Channel Title : MANNY MORA

Views : 34752

Likes : 305

DisLikes : 12

Published Date : 2013-05-06T15:15:35.000Z

''Who I Am" (1975) former Temptations' vocalist David Ruffin joins forces with the multi-talented Van McCoy. McCoy -- who produced and arranged the album -- was a hot commodity thanks to his disco hit "The Hustle." Although Motown had relocated to Los Angeles, Ruffin and McCoy brought the project to New York City and availed themselves of the finest studio musicians that the Big Apple had to offer: Richard Tee (keyboards), Eric Gale (guitar), Hugh McCracken (guitar), and Steve Gadd (drums), just to mention a few. The opening midtempo title composition sets the pace and establishes the prevalent dance-centric nature. "It Takes All Kinds of People to Make a World" continues in the same four-on-the-four rhythmic vein with the McCoy-directed string section. Ruffin's "Walk Away from Love" -- which actually made it all the way to the number one slot on the R&B Singles survey -- bears an easygoing boogie enhanced by typical string and horn punctuations. Ruffin's begging lead vocals are reminders of his once golden throat. "I've Got Nothing but Time" and the light and lively "Finger Pointers" stand out as two of the catchier selections on the disc, the latter soaking up every McCoy element in the book -- syrupy strings, a pulsating groove, and enough of a syncopated melody to hook even the most jaded listener. The slightly Eastern-flavored arrangement on "Wild Honey" provides a bit of much needed stylistic variety -- although it doesn't stray too far -- while "Heavy Love" is essentially structured as if remaking "The Hustle." No wonder it climbed into the upper reaches of the R&B countdown. "Statue of a Fool" proves that Ruffin can still churn out a heartfelt ballad. Granted his delivery doesn't have the gut-check realism that informed the best of his Temptations' and first couple of solo sides, however it is suitably matched to the half-hearted material. Who I Am concludes on an up note with the funky and driving "Love Can Be Hazardous to Your Health." Ruffin manages to coax out a few of his vintage tonsil-grinding growls as he pleads for the listener to "...beware...beware...beware" before instigating a lyrical call-and-response. The cut was twice a 7" bridesmaid, appearing as the B-side to both "Walk Away from Love" and "Heavy Love." Hip-O Select gathered Who I Am along with the artist's last Motown long-players Everything's Coming Up Love (1976) and In My Stride (1977), as well as a dozen previously unreleased bonus tracks for Motown Solo Albums, Vol. 2 (2006). The double-CD might prove difficult to find or pricey as it is a limited edition.
    

Channel Title : Dont worry about it

Views : 16249

Likes : 154

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Published Date : 2010-11-12T03:43:26.000Z

    

Channel Title : MANNY MORA

Views : 9782

Likes : 80

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Published Date : 2013-05-02T15:32:59.000Z

After rising to superstardom as the Temptations' co-lead vocalist, David Ruffin concluded his oft-tumultuous relationship with the Motown quintet to forge a solo career. His debut album was less a statement regarding his status as a former Temp and more a reflection of the artist's temperament. Although drugs would begin to erode his immeasurable talents from the inside out, Ruffin can be heard at the top of his game on My Whole World Ended (1969). While he may have been out of the band, he was still considered a key component in the Motown family and, at least for a while, was afforded support by the best and brightest that the label had to offer. Among the perks was working with top-notch hit making producers Harvey Fuqua, Johnny Bristol, Paul Riser,and Ivory Joe Hunter -- all of whom add their magic to the mix. Ruffin's vocals are uniformly inspired, particularly when he pours himself into the performance. The LP kicks off with the title track, "My Whole World Ended (The Moment You Left Me)." The song's dark and somewhat menacing tone provides all the atmosphere Ruffin needs to unleash his trademark heart-wrenching leads. It is no wonder that the number made a significant impact as a Top Ten crossover smash. As was the assembly line nature of new Motown product, quite often the deeper cuts were just as appealing, especially when it was David Ruffin behind the microphone. The mid-tempo soul-stirrer "Pieces of a Man," as well as the churning funk-a-thons "World of Darkness" and "Flower Child" may be the effort's sleeper classics. Ruffin certainly isn't afraid to wear his heart on his sleeve either as the ballads "Message from Maria," "I've Lost Everything I've Ever Loved" and the radiant waltz "My Love Is Growing Stronger" demonstrate to great effect. Pop music fans will undoubtedly recognize the melody to "Everlasting Love" as it had already been a hit for Robert Knight two years earlier in 1967, while Carl Carlton -- a fellow Detroit-based singer -- would score even higher with his 1974 update. Perhaps the same fate could have befallen Ruffin's take had it been extracted as a single release. In the end the project didn't need too much help to take to the top of the R&B album survey for two weeks and into the Top 40 on the pop side. Parties looking for My Whole World Ended on CD are encouraged to check out the Hip-O Select Great David Ruffin: The Motown Solo Albums, Vol. 1 (2005) double-disc anthology. The contents have been digitally remastered and also offer Ruffin's follow-up long-players Feelin' Good (1969), David Ruffin (1973), and Me 'N Rock 'N Roll Are Here to Stay (1974).
    

Channel Title : MANNY MORA

Views : 840978

Likes : 7413

DisLikes : 462

Published Date : 2013-05-06T15:21:11.000Z

''Who I Am'' (1975) former Temptations' vocalist David Ruffin joins forces with the multi-talented Van McCoy. McCoy -- who produced and arranged the album -- was a hot commodity thanks to his disco hit "The Hustle." Although Motown had relocated to Los Angeles, Ruffin and McCoy brought the project to New York City and availed themselves of the finest studio musicians that the Big Apple had to offer: Richard Tee (keyboards), Eric Gale (guitar), Hugh McCracken (guitar), and Steve Gadd (drums), just to mention a few. The opening midtempo title composition sets the pace and establishes the prevalent dance-centric nature. "It Takes All Kinds of People to Make a World" continues in the same four-on-the-four rhythmic vein with the McCoy-directed string section. Ruffin's "Walk Away from Love" -- which actually made it all the way to the number one slot on the R&B Singles survey -- bears an easygoing boogie enhanced by typical string and horn punctuations. Ruffin's begging lead vocals are reminders of his once golden throat. "I've Got Nothing but Time" and the light and lively "Finger Pointers" stand out as two of the catchier selections on the disc, the latter soaking up every McCoy element in the book -- syrupy strings, a pulsating groove, and enough of a syncopated melody to hook even the most jaded listener. The slightly Eastern-flavored arrangement on "Wild Honey" provides a bit of much needed stylistic variety -- although it doesn't stray too far -- while "Heavy Love" is essentially structured as if remaking "The Hustle." No wonder it climbed into the upper reaches of the R&B countdown. "Statue of a Fool" proves that Ruffin can still churn out a heartfelt ballad. Granted his delivery doesn't have the gut-check realism that informed the best of his Temptations' and first couple of solo sides, however it is suitably matched to the half-hearted material. Who I Am concludes on an up note with the funky and driving "Love Can Be Hazardous to Your Health." Ruffin manages to coax out a few of his vintage tonsil-grinding growls as he pleads for the listener to "...beware...beware...beware" before instigating a lyrical call-and-response. The cut was twice a 7" bridesmaid, appearing as the B-side to both "Walk Away from Love" and "Heavy Love." Hip-O Select gathered Who I Am along with the artist's last Motown long-players Everything's Coming Up Love (1976) and In My Stride (1977), as well as a dozen previously unreleased bonus tracks for Motown Solo Albums, Vol. 2 (2006). The double-CD might prove difficult to find or pricey as it is a limited edition.
    

Channel Title : David Ruffin - Topic

Views : 2387

Likes : 15

DisLikes : 2

Published Date : 2017-02-11T17:54:54.000Z

Provided to YouTube by Universal Music Group North America World Of Darkness · David Ruffin The Ultimate Collection: David Ruffin ℗ 1969 Motown Records, a Division of UMG Recordings, Inc. Released on: 1998-01-01 Producer: Harvey Fuqua Author, Composer: Harvey Fuqua Author, Composer: Thomas Eduard Kemp Music Publisher: Jobete Music Co. Inc. Auto-generated by YouTube.
    

Channel Title : Lucas0714

Views : 20351

Likes : 50

DisLikes : 4

Published Date : 2012-02-27T22:30:19.000Z

J. Cole new song on a "The Double Cross" by David Ruffin Sample
    

Channel Title : MANNY MORA

Views : 98822

Likes : 714

DisLikes : 24

Published Date : 2013-05-03T06:05:55.000Z

Less than six months after the release of his triumphant solo debut My Whole World Ended (1969), Motown issued former Temptations' frontman David Ruffin's dozen-song follow-up Feelin' Good (1969). One factor in such a rapid turnaround was the availability of several leftovers from Ruffin's former project and another was undoubtedly to strike again while the iron was still hot -- as My Whole World Ended had topped the R&B charts for two weeks and spawned a pair of pop crossover hits to boot. Keen-eared listeners can discern the earlier recordings as Ruffin's voice hasn't developed the noticeably grittier quality that is reflected in the opening upbeat soul stirrer "Loving You (Is Hurting Me)." His timeless falsetto has a weariness that simply can't be simulated. Of the two non-Motown covers on this collection, the incendiary update of Dave Mason's "Feelin' Alright" wins hands down over the comparatively uninspired, but charming take of Jackie DeShannon's anthemic "Put a Little Love in Your Heart." None other than Motown founding father Berry Gordy himself is credited with the production on the gospel-flavored ballad "I'm So Glad I Fell for You." The raw emotion in Ruffin's fervent delivery and the spirited support of the Hal Davis Singers were enough to take the tune into the Top 20 R&B charts. Although the specific references may have changed, "I Could Never Be President" is as much a politically charged statement as it is an exuberant love song. It projects a more positive future than the present set of circumstances that most of Ruffin's core audience would have been concurrently experiencing. The exceptionally funky rocker "I Pray Everyday You Won't Regret Loving Me" -- which was co-penned by Gladys Knight and her brother (not to mention a Pip) Merald "Bubba" Knight -- is one of the better remnants from the My Whole World Ended sessions, standing among the album's better deep cuts. The lightness of Ashford & Simpson's "What You Gave to Me" pays an homage to Sagittarius' psychedelic sleeper "My World Fell Down" by essentially stealing the opening lyric "Just like a breath of spring/you came my way" and condensing it to "Like a breath of spring you came...." Ruffin's perfect falsetto helps turn in another excellent leftover, which is also the source for the sublime mid-tempo "I Let Love Slip Away." Before Ruffin was assigned the selection, a backing track was created for fellow Motown artist Marvin Gaye. As Gaye never got around to it, Ruffin was thankfully given a chance to see where he could take it. The austerity of Ruffin's instrument indicates more about his personal state of affairs than perhaps he had intended to reveal. Yet he is able to conjure up the same beguiling temperament that had contributed to masterpieces such as "I Wish It Would Rain" and "My Girl." Hip-O Select's Great David Ruffin: The Motown Solo Albums, Vol. 1 (2005) double-disc anthology includes Feelin' Good and its predecessor My Whole World Ended (1969), as well as David Ruffin (1973), and Me 'N Rock 'N Roll Are Here to Stay (1974) -- all of which have been digitally remastered for optimal fidelity.
    

Channel Title : MANNY MORA

Views : 15200

Likes : 114

DisLikes : 4

Published Date : 2013-05-02T14:38:22.000Z

After rising to superstardom as the Temptations' co-lead vocalist, David Ruffin concluded his oft-tumultuous relationship with the Motown quintet to forge a solo career. His debut album was less a statement regarding his status as a former Temp and more a reflection of the artist's temperament. Although drugs would begin to erode his immeasurable talents from the inside out, Ruffin can be heard at the top of his game on My Whole World Ended (1969). While he may have been out of the band, he was still considered a key component in the Motown family and, at least for a while, was afforded support by the best and brightest that the label had to offer. Among the perks was working with top-notch hit making producers Harvey Fuqua, Johnny Bristol, Paul Riser,and Ivory Joe Hunter -- all of whom add their magic to the mix. Ruffin's vocals are uniformly inspired, particularly when he pours himself into the performance. The LP kicks off with the title track, "My Whole World Ended (The Moment You Left Me)." The song's dark and somewhat menacing tone provides all the atmosphere Ruffin needs to unleash his trademark heart-wrenching leads. It is no wonder that the number made a significant impact as a Top Ten crossover smash. As was the assembly line nature of new Motown product, quite often the deeper cuts were just as appealing, especially when it was David Ruffin behind the microphone. The mid-tempo soul-stirrer "Pieces of a Man," as well as the churning funk-a-thons "World of Darkness" and "Flower Child" may be the effort's sleeper classics. Ruffin certainly isn't afraid to wear his heart on his sleeve either as the ballads "Message from Maria," "I've Lost Everything I've Ever Loved" and the radiant waltz "My Love Is Growing Stronger" demonstrate to great effect. Pop music fans will undoubtedly recognize the melody to "Everlasting Love" as it had already been a hit for Robert Knight two years earlier in 1967, while Carl Carlton -- a fellow Detroit-based singer -- would score even higher with his 1974 update. Perhaps the same fate could have befallen Ruffin's take had it been extracted as a single release. In the end the project didn't need too much help to take to the top of the R&B album survey for two weeks and into the Top 40 on the pop side. Parties looking for My Whole World Ended on CD are encouraged to check out the Hip-O Select Great David Ruffin: The Motown Solo Albums, Vol. 1 (2005) double-disc anthology. The contents have been digitally remastered and also offer Ruffin's follow-up long-players Feelin' Good (1969), David Ruffin (1973), and Me 'N Rock 'N Roll Are Here to Stay (1974).
    

Channel Title : MANNY MORA

Views : 9652

Likes : 70

DisLikes : 2

Published Date : 2013-05-02T15:41:08.000Z

After rising to superstardom as the Temptations' co-lead vocalist, David Ruffin concluded his oft-tumultuous relationship with the Motown quintet to forge a solo career. His debut album was less a statement regarding his status as a former Temp and more a reflection of the artist's temperament. Although drugs would begin to erode his immeasurable talents from the inside out, Ruffin can be heard at the top of his game on My Whole World Ended (1969). While he may have been out of the band, he was still considered a key component in the Motown family and, at least for a while, was afforded support by the best and brightest that the label had to offer. Among the perks was working with top-notch hit making producers Harvey Fuqua, Johnny Bristol, Paul Riser,and Ivory Joe Hunter -- all of whom add their magic to the mix. Ruffin's vocals are uniformly inspired, particularly when he pours himself into the performance. The LP kicks off with the title track, "My Whole World Ended (The Moment You Left Me)." The song's dark and somewhat menacing tone provides all the atmosphere Ruffin needs to unleash his trademark heart-wrenching leads. It is no wonder that the number made a significant impact as a Top Ten crossover smash. As was the assembly line nature of new Motown product, quite often the deeper cuts were just as appealing, especially when it was David Ruffin behind the microphone. The mid-tempo soul-stirrer "Pieces of a Man," as well as the churning funk-a-thons "World of Darkness" and "Flower Child" may be the effort's sleeper classics. Ruffin certainly isn't afraid to wear his heart on his sleeve either as the ballads "Message from Maria," "I've Lost Everything I've Ever Loved" and the radiant waltz "My Love Is Growing Stronger" demonstrate to great effect. Pop music fans will undoubtedly recognize the melody to "Everlasting Love" as it had already been a hit for Robert Knight two years earlier in 1967, while Carl Carlton -- a fellow Detroit-based singer -- would score even higher with his 1974 update. Perhaps the same fate could have befallen Ruffin's take had it been extracted as a single release. In the end the project didn't need too much help to take to the top of the R&B album survey for two weeks and into the Top 40 on the pop side. Parties looking for My Whole World Ended on CD are encouraged to check out the Hip-O Select Great David Ruffin: The Motown Solo Albums, Vol. 1 (2005) double-disc anthology. The contents have been digitally remastered and also offer Ruffin's follow-up long-players Feelin' Good (1969), David Ruffin (1973), and Me 'N Rock 'N Roll Are Here to Stay (1974).
    

Channel Title : soln4suhreborn

Views : 31048

Likes : 115

DisLikes : 0

Published Date : 2008-06-24T23:01:13.000Z

SOLN4SUH XPERIENCE WORLDWIDE
    

Channel Title : MANNY MORA

Views : 22329

Likes : 133

DisLikes : 8

Published Date : 2013-05-02T14:54:21.000Z

After rising to superstardom as the Temptations' co-lead vocalist, David Ruffin concluded his oft-tumultuous relationship with the Motown quintet to forge a solo career. His debut album was less a statement regarding his status as a former Temp and more a reflection of the artist's temperament. Although drugs would begin to erode his immeasurable talents from the inside out, Ruffin can be heard at the top of his game on My Whole World Ended (1969). While he may have been out of the band, he was still considered a key component in the Motown family and, at least for a while, was afforded support by the best and brightest that the label had to offer. Among the perks was working with top-notch hit making producers Harvey Fuqua, Johnny Bristol, Paul Riser,and Ivory Joe Hunter -- all of whom add their magic to the mix. Ruffin's vocals are uniformly inspired, particularly when he pours himself into the performance. The LP kicks off with the title track, "My Whole World Ended (The Moment You Left Me)." The song's dark and somewhat menacing tone provides all the atmosphere Ruffin needs to unleash his trademark heart-wrenching leads. It is no wonder that the number made a significant impact as a Top Ten crossover smash. As was the assembly line nature of new Motown product, quite often the deeper cuts were just as appealing, especially when it was David Ruffin behind the microphone. The mid-tempo soul-stirrer "Pieces of a Man," as well as the churning funk-a-thons "World of Darkness" and "Flower Child" may be the effort's sleeper classics. Ruffin certainly isn't afraid to wear his heart on his sleeve either as the ballads "Message from Maria," "I've Lost Everything I've Ever Loved" and the radiant waltz "My Love Is Growing Stronger" demonstrate to great effect. Pop music fans will undoubtedly recognize the melody to "Everlasting Love" as it had already been a hit for Robert Knight two years earlier in 1967, while Carl Carlton -- a fellow Detroit-based singer -- would score even higher with his 1974 update. Perhaps the same fate could have befallen Ruffin's take had it been extracted as a single release. In the end the project didn't need too much help to take to the top of the R&B album survey for two weeks and into the Top 40 on the pop side. Parties looking for My Whole World Ended on CD are encouraged to check out the Hip-O Select Great David Ruffin: The Motown Solo Albums, Vol. 1 (2005) double-disc anthology. The contents have been digitally remastered and also offer Ruffin's follow-up long-players Feelin' Good (1969), David Ruffin (1973), and Me 'N Rock 'N Roll Are Here to Stay (1974).
    

Channel Title : MANNY MORA

Views : 6314

Likes : 54

DisLikes : 1

Published Date : 2013-05-06T05:08:22.000Z

Although his viability as a contemporary soul artist was clearly in question by the time of 1974's Me 'n Rock 'n Roll Are Here to Stay, David Ruffin was given another opportunity to prove himself. The former Temptations frontman was teamed with Norman Whitfield -- a producer whose prior accomplishments under the Motown umbrella included a host of indelible classics from the Temptations. Among the most prominent are "Ain't Too Proud to Beg," "Beauty Is Only Skin Deep," "(I Know) I'm Losing You," "You're My Everything," "I Wish It Would Rain," "Cloud Nine," "Runaway Child, Running Wild," "I Can't Get Next to You," "Psychedelic Shack," "Ball of Confusion (That's What the World Is Today)," "Just My Imagination (Running Away with Me)," and "Papa Was a Rollin' Stone." The love-gone-wrong lead track turns into a noir funky excursion replete with horn flairs, a moody and evocative string score, and even synth-produced wind sound effects -- all before Ruffin has sung his first note. Once he kicks in with his begging and soulful yearning, the elements coalesce into an effective and dramatically heart-wrenching "tear-stained letter." The upbeat "Take Me Clear from Here" was scheduled for the A-side of a 45 that would have paired it with the cover of Rare Earth's "I Just Wanna Celebrate." It's a pity that the 7" single was withdrawn, as the laid-back vibe reveals a dimension to Ruffin that was all too rarely heard. Exhibiting a total 180-degree antithesis is the attitude-laden remake of the Undisputed Truth's "Smiling Faces Sometimes," which the vocalist introduces with a spoken prologue before easing into a sincere, almost paternal reading. The context of the times makes his delivery all the more poignant, as it seems that he was maintaining a long and tenuous relationship with many executives and fellow artists at Motown -- a few of whom had fallen out with Ruffin as far back as their days in Detroit. Indeed, it doesn't take much imagination from the listener to hear the wisdom in his voice, which is punctuated by the occasional interjection of his trademark falsetto. This number did make it out as a B-side, coupled with the album's ferocious title track that emphatically proclaims "Me 'n Rock 'n Roll Are Here to Stay." It certainly has been a while since Ruffin has sounded as committed as he does when he unleashes the telling line "I've made a lot of mistakes in my time...." If for no other reason, the reunion between Whitfield and Ruffin could be considered a success. And even as the single failed to make an impression on the charts, the hard-hitting groove remains as a testament to their remarkable talents. Perhaps to infuse some additional mojo to the studio performances and in spite of the rear LP jacket text that proclaims "Motown Recording Studios, Hollywood" as the facility where the project was cut, the second half of the original platter is bathed in fake live concert applause and ambient sounds. The blues-based rave-up "Superstar (Remember How You Got Where You Are)" is practically drowned out by the copious faux audience. Interestingly, the crowd simultaneously ducks out during "No Matter What" and the excellent update of Dobie Gray's "City Stars." Concluding the effort is a cover of "I Just Want to Celebrate," ending the platter on a high note, proving David Ruffin could still create effective and meaningful music when provided with suitable material and headstrong support behind the scenes -- despite his well-publicized personal and professional problems. In 2005, Me 'n Rock 'n Roll Are Here to Stay joined Ruffin'sMy Whole World Ended (1969), Feelin' Good (1969), and David Ruffin (1973) on the Great David Ruffin limited-edition double-CD compilation from Hip-O Select.
    

Channel Title : MANNY MORA

Views : 27854

Likes : 181

DisLikes : 3

Published Date : 2013-05-02T15:49:23.000Z

After rising to superstardom as the Temptations' co-lead vocalist, David Ruffin concluded his oft-tumultuous relationship with the Motown quintet to forge a solo career. His debut album was less a statement regarding his status as a former Temp and more a reflection of the artist's temperament. Although drugs would begin to erode his immeasurable talents from the inside out, Ruffin can be heard at the top of his game on My Whole World Ended (1969). While he may have been out of the band, he was still considered a key component in the Motown family and, at least for a while, was afforded support by the best and brightest that the label had to offer. Among the perks was working with top-notch hit making producers Harvey Fuqua, Johnny Bristol, Paul Riser,and Ivory Joe Hunter -- all of whom add their magic to the mix. Ruffin's vocals are uniformly inspired, particularly when he pours himself into the performance. The LP kicks off with the title track, "My Whole World Ended (The Moment You Left Me)." The song's dark and somewhat menacing tone provides all the atmosphere Ruffin needs to unleash his trademark heart-wrenching leads. It is no wonder that the number made a significant impact as a Top Ten crossover smash. As was the assembly line nature of new Motown product, quite often the deeper cuts were just as appealing, especially when it was David Ruffin behind the microphone. The mid-tempo soul-stirrer "Pieces of a Man," as well as the churning funk-a-thons "World of Darkness" and "Flower Child" may be the effort's sleeper classics. Ruffin certainly isn't afraid to wear his heart on his sleeve either as the ballads "Message from Maria," "I've Lost Everything I've Ever Loved" and the radiant waltz "My Love Is Growing Stronger" demonstrate to great effect. Pop music fans will undoubtedly recognize the melody to "Everlasting Love" as it had already been a hit for Robert Knight two years earlier in 1967, while Carl Carlton -- a fellow Detroit-based singer -- would score even higher with his 1974 update. Perhaps the same fate could have befallen Ruffin's take had it been extracted as a single release. In the end the project didn't need too much help to take to the top of the R&B album survey for two weeks and into the Top 40 on the pop side. Parties looking for My Whole World Ended on CD are encouraged to check out the Hip-O Select Great David Ruffin: The Motown Solo Albums, Vol. 1 (2005) double-disc anthology. The contents have been digitally remastered and also offer Ruffin's follow-up long-players Feelin' Good (1969), David Ruffin (1973), and Me 'N Rock 'N Roll Are Here to Stay (1974).
    

Channel Title : MANNY MORA

Views : 28448

Likes : 218

DisLikes : 7

Published Date : 2013-05-03T06:46:12.000Z

Less than six months after the release of his triumphant solo debut My Whole World Ended (1969), Motown issued former Temptations' frontman David Ruffin's dozen-song follow-up Feelin' Good (1969). One factor in such a rapid turnaround was the availability of several leftovers from Ruffin's former project and another was undoubtedly to strike again while the iron was still hot -- as My Whole World Ended had topped the R&B charts for two weeks and spawned a pair of pop crossover hits to boot. Keen-eared listeners can discern the earlier recordings as Ruffin's voice hasn't developed the noticeably grittier quality that is reflected in the opening upbeat soul stirrer "Loving You (Is Hurting Me)." His timeless falsetto has a weariness that simply can't be simulated. Of the two non-Motown covers on this collection, the incendiary update of Dave Mason's "Feelin' Alright" wins hands down over the comparatively uninspired, but charming take of Jackie DeShannon's anthemic "Put a Little Love in Your Heart." None other than Motown founding father Berry Gordy himself is credited with the production on the gospel-flavored ballad "I'm So Glad I Fell for You." The raw emotion in Ruffin's fervent delivery and the spirited support of the Hal Davis Singers were enough to take the tune into the Top 20 R&B charts. Although the specific references may have changed, "I Could Never Be President" is as much a politically charged statement as it is an exuberant love song. It projects a more positive future than the present set of circumstances that most of Ruffin's core audience would have been concurrently experiencing. The exceptionally funky rocker "I Pray Everyday You Won't Regret Loving Me" -- which was co-penned by Gladys Knight and her brother (not to mention a Pip) Merald "Bubba" Knight -- is one of the better remnants from the My Whole World Ended sessions, standing among the album's better deep cuts. The lightness of Ashford & Simpson's "What You Gave to Me" pays an homage to Sagittarius' psychedelic sleeper "My World Fell Down" by essentially stealing the opening lyric "Just like a breath of spring/you came my way" and condensing it to "Like a breath of spring you came...." Ruffin's perfect falsetto helps turn in another excellent leftover, which is also the source for the sublime mid-tempo "I Let Love Slip Away." Before Ruffin was assigned the selection, a backing track was created for fellow Motown artist Marvin Gaye. As Gaye never got around to it, Ruffin was thankfully given a chance to see where he could take it. The austerity of Ruffin's instrument indicates more about his personal state of affairs than perhaps he had intended to reveal. Yet he is able to conjure up the same beguiling temperament that had contributed to masterpieces such as "I Wish It Would Rain" and "My Girl." Hip-O Select's Great David Ruffin: The Motown Solo Albums, Vol. 1 (2005) double-disc anthology includes Feelin' Good and its predecessor My Whole World Ended (1969), as well as David Ruffin (1973), and Me 'N Rock 'N Roll Are Here to Stay (1974) -- all of which have been digitally remastered for optimal fidelity.
    

Channel Title : MANNY MORA

Views : 23574

Likes : 159

DisLikes : 4

Published Date : 2013-05-04T13:37:42.000Z

It's well known that Motown recorded more material than it could release, but its reasons for shelving material remain a mystery to this day. Ever since the CD reissue boom of the late '80s, this unreleased material has begun to trickle out of the vaults, and when it does surface in such forms as the dynamite double-disc set A Cellarful of Motown!, the music is so good it's hard to believe that it never was released at the time. Knowing this, it should not come as a complete surprise that former Temptations lead singer David Ruffin had a full, completed album shelved in 1971, but hearing Hip-O Select's excavation of that album on the 2004 release David: The Unreleased Album, it's still a wonder that this record sat in the vaults for over three decades, with very few of the songs recorded during the sessions appearing on other records and compilations over the years. Far from being unreleasable, David (titled as such because the album was never given a proper title -- it was given a catalog number and track sequencing, with David Ruffin penciled in as its name, but that was used as the title for his 1973 album) finds Ruffin at a solo peak, not just a singer but in terms of material. He cut the 12 songs that comprised the album, along with the seven bonus tracks from the same sessions that fill out this CD reissue, in late 1969 and 1970, after he had a big solo hit with "My Whole World Ended (The Moment You Left Me)," with the intent of releasing the album in 1971. There were a pair of covers of recent hits -- an appropriately heartbroken and seductive "Rainy Night in Georgia" and a rather revelatory "I Want You Back," which added real grit to the Jackson 5's effervescent smash -- but most of this was material written for Ruffin and it played to his strengths. While this music was rooted in Motown's signature sound and performed by the Funk Brothers, it also looked beyond Detroit, adding heavy doses of funk, psychedelia, and smooth soul, filled with galvanizing horns, driving guitars, down-n-dirty clavinets, flourishes of electric sitar, fuzz tones, and wah-wah guitars, all grounded by Ruffin's earthy testifying and tied together by top-notch songwriting. All these elements wound up sounding much hipper than much of the music officially released by Motown in the early 1970, when Stevie Wonder and Marvin Gaye were just beginning to break free of the studio's formula, and while David and its accompanying bonus tracks are not a masterpiece along the lines of Talking Book or What's Going On (or even Where I'm Coming From, for that matter), it's vibrant, exciting music that still sounds fresh -- arguably fresher than full-length Temptations albums of the late '60s -- which qualifies it as a lost classic of sorts. Why was it lost, consigned to the vaults for nearly three and a half decades? According to the liner notes, nobody really knows. Ruffin wasn't popular among the executives at Motown in the early '70s, and he was also going through a number of well-documented personal problems, so it's possible that Motown simply didn't want to promote him at the time, but it's also true that the label had a number of great records, including Marvin's What's Going On, to release in 1971, and Ruffin had two LPs out in 1970, including a duet album with his brother Jimmy, so the market may have been saturated. We'll likely never know the reason why David was buried, but fortunately it has been unearthed, and it's a reason for hardcore soul and Motown fans to celebrate.
    

Channel Title : J. Boutte

Views : 21825

Likes : 294

DisLikes : 8

Published Date : 2014-05-08T00:37:44.000Z

Description
    

Channel Title : MANNY MORA

Views : 48522

Likes : 287

DisLikes : 13

Published Date : 2013-05-02T15:02:06.000Z

After rising to superstardom as the Temptations' co-lead vocalist, David Ruffin concluded his oft-tumultuous relationship with the Motown quintet to forge a solo career. His debut album was less a statement regarding his status as a former Temp and more a reflection of the artist's temperament. Although drugs would begin to erode his immeasurable talents from the inside out, Ruffin can be heard at the top of his game on My Whole World Ended (1969). While he may have been out of the band, he was still considered a key component in the Motown family and, at least for a while, was afforded support by the best and brightest that the label had to offer. Among the perks was working with top-notch hit making producers Harvey Fuqua, Johnny Bristol, Paul Riser,and Ivory Joe Hunter -- all of whom add their magic to the mix. Ruffin's vocals are uniformly inspired, particularly when he pours himself into the performance. The LP kicks off with the title track, "My Whole World Ended (The Moment You Left Me)." The song's dark and somewhat menacing tone provides all the atmosphere Ruffin needs to unleash his trademark heart-wrenching leads. It is no wonder that the number made a significant impact as a Top Ten crossover smash. As was the assembly line nature of new Motown product, quite often the deeper cuts were just as appealing, especially when it was David Ruffin behind the microphone. The mid-tempo soul-stirrer "Pieces of a Man," as well as the churning funk-a-thons "World of Darkness" and "Flower Child" may be the effort's sleeper classics. Ruffin certainly isn't afraid to wear his heart on his sleeve either as the ballads "Message from Maria," "I've Lost Everything I've Ever Loved" and the radiant waltz "My Love Is Growing Stronger" demonstrate to great effect. Pop music fans will undoubtedly recognize the melody to "Everlasting Love" as it had already been a hit for Robert Knight two years earlier in 1967, while Carl Carlton -- a fellow Detroit-based singer -- would score even higher with his 1974 update. Perhaps the same fate could have befallen Ruffin's take had it been extracted as a single release. In the end the project didn't need too much help to take to the top of the R&B album survey for two weeks and into the Top 40 on the pop side. Parties looking for My Whole World Ended on CD are encouraged to check out the Hip-O Select Great David Ruffin: The Motown Solo Albums, Vol. 1 (2005) double-disc anthology. The contents have been digitally remastered and also offer Ruffin's follow-up long-players Feelin' Good (1969), David Ruffin (1973), and Me 'N Rock 'N Roll Are Here to Stay (1974).
    

Channel Title : JudasKFoxglove

Views : 428

Likes : 8

DisLikes : 0

Published Date : 2017-01-03T02:18:38.000Z

The title track from David Ruffin's 1969 debut album as a solo artist on Motown.
    

Channel Title : ruffan

Views : 11221

Likes : 55

DisLikes : 0

Published Date : 2010-06-07T23:13:16.000Z

From his 1969 album "Feelin' Good"
    

Channel Title : MANNY MORA

Views : 10563

Likes : 91

DisLikes : 0

Published Date : 2013-05-03T06:53:14.000Z

Less than six months after the release of his triumphant solo debut My Whole World Ended (1969), Motown issued former Temptations' frontman David Ruffin's dozen-song follow-up Feelin' Good (1969). One factor in such a rapid turnaround was the availability of several leftovers from Ruffin's former project and another was undoubtedly to strike again while the iron was still hot -- as My Whole World Ended had topped the R&B charts for two weeks and spawned a pair of pop crossover hits to boot. Keen-eared listeners can discern the earlier recordings as Ruffin's voice hasn't developed the noticeably grittier quality that is reflected in the opening upbeat soul stirrer "Loving You (Is Hurting Me)." His timeless falsetto has a weariness that simply can't be simulated. Of the two non-Motown covers on this collection, the incendiary update of Dave Mason's "Feelin' Alright" wins hands down over the comparatively uninspired, but charming take of Jackie DeShannon's anthemic "Put a Little Love in Your Heart." None other than Motown founding father Berry Gordy himself is credited with the production on the gospel-flavored ballad "I'm So Glad I Fell for You." The raw emotion in Ruffin's fervent delivery and the spirited support of the Hal Davis Singers were enough to take the tune into the Top 20 R&B charts. Although the specific references may have changed, "I Could Never Be President" is as much a politically charged statement as it is an exuberant love song. It projects a more positive future than the present set of circumstances that most of Ruffin's core audience would have been concurrently experiencing. The exceptionally funky rocker "I Pray Everyday You Won't Regret Loving Me" -- which was co-penned by Gladys Knight and her brother (not to mention a Pip) Merald "Bubba" Knight -- is one of the better remnants from the My Whole World Ended sessions, standing among the album's better deep cuts. The lightness of Ashford & Simpson's "What You Gave to Me" pays an homage to Sagittarius' psychedelic sleeper "My World Fell Down" by essentially stealing the opening lyric "Just like a breath of spring/you came my way" and condensing it to "Like a breath of spring you came...." Ruffin's perfect falsetto helps turn in another excellent leftover, which is also the source for the sublime mid-tempo "I Let Love Slip Away." Before Ruffin was assigned the selection, a backing track was created for fellow Motown artist Marvin Gaye. As Gaye never got around to it, Ruffin was thankfully given a chance to see where he could take it. The austerity of Ruffin's instrument indicates more about his personal state of affairs than perhaps he had intended to reveal. Yet he is able to conjure up the same beguiling temperament that had contributed to masterpieces such as "I Wish It Would Rain" and "My Girl." Hip-O Select's Great David Ruffin: The Motown Solo Albums, Vol. 1 (2005) double-disc anthology includes Feelin' Good and its predecessor My Whole World Ended (1969), as well as David Ruffin (1973), and Me 'N Rock 'N Roll Are Here to Stay (1974) -- all of which have been digitally remastered for optimal fidelity.
    

Channel Title : David Ruffin - Topic

Views : 1347

Likes : 15

DisLikes : 0

Published Date : 2016-11-03T03:46:01.000Z

Provided to YouTube by Universal Music Group North America Flower Child · David Ruffin My Whole World Ended ℗ 1969 Motown Records, a Division of UMG Recordings, Inc. Released on: 1969-01-01 Producer: Harvey Fuqua Author, Composer: Johnny Bristol Author, Composer: Doris McNeil Auto-generated by YouTube.
    

Channel Title : The Club Silencio

Views : 277

Likes : 6

DisLikes : 0

Published Date : 2016-02-10T11:44:56.000Z

Track from David Ruffin's album "My Whole World Ended". © 1969 - Motown Records All rights reserved to the owner. ------------------------ Subscribe to The Club Silencio.
    

Channel Title : East Coast Editor

Views : 92

Likes : 0

DisLikes : 0

Published Date : 2014-07-01T03:50:08.000Z

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