David Ruffin Common Man 1973....!

About 20 results out of 1964 (0.23 seconds)
    

Channel Title : MANNY MORA

Views : 530723

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Published Date : 2013-05-05T00:45:32.000Z

David Ruffin's third and self-titled solo offering was in many ways a collaborative effort with Bobby Miller, who produced the David Ruffin (1973) album and supplied eight of its ten tracks. There is a conspicuous dichotomy between the personas that Ruffin portrays throughout the project and the man whose fractious relationship with Motown had practically cost him his association with the label. Things had gotten so bad, they permanently shelved what should have been Ruffin's third LP. Motown simply refused to put it out until cooler heads eventually prevailed some three decades later. He was likewise no longer afforded access to "A-list" material and support musicians either. While his previous outings had sold respectably, they certainly were no match for the likes of Stevie Wonder, Marvin Gaye, or even his former bandmates in the Temptations whose "Papa Was a Rollin' Stone" had been a crossover pop chart topper months earlier. "The Rovin' Kind" gets things underway bearing an almost emblematic mid-tempo Motown groove. Ruffin's once crystalline voice now endures the sonic substantiation of chronic drug and alcohol addiction. In a perverse way, the combination of his aging falsetto, coupled with the rough-hewn timbre, actually enhance his role in the ballad "Common Man," as well as the blithe and bouncy "I'm Just a Mortal Man" with the Andantes providing the equally amicable background vocals. The update of "(If Loving You Is Wrong) I Don't Want to Be Right" -- a seductive side that Luther Ingram had considerable success with the previous year -- is personalized as Ruffin confides in the opening that he is "a man in desperation" backing it up with the plea "can't you help the situation"? His short rhythmically spoken intro continues as he owns up to his reputation as a "wild child," begging the question whether Ruffin is actually in or out of character. The Philly-style soul of the Kenny Gamble/Leon Huff written "I Miss You" suits the heart-wrenching adaptation. The six-plus minute gritty social commentary "Blood Donors Needed (Give All You Can)" is a starkly accurate portrayal of inner-city life. Perhaps in the escapism mentality of the times, it failed to make an impact on the singles charts. Yet, the lack of a marketable 45 seems to have had little relevance on R&B record buyers as David Ruffin made it into the Top Five album survey -- although it did not fare nearly as well, peaking at number 168 on the pop side. Those slipping figures are endemic indicators of the increasing lack of interest that Motown would invest in Ruffin's future endeavors.
    

Channel Title : sholondia

Views : 178536

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Published Date : 2009-01-16T17:11:13.000Z

now aint that sexy wow!
    

Channel Title : Dont worry about it

Views : 16003

Likes : 153

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Published Date : 2010-11-12T03:43:26.000Z

    

Channel Title : David Ruffin - Topic

Views : 2295

Likes : 23

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Published Date : 2017-01-25T21:35:20.000Z

Provided to YouTube by Universal Music Group North America Common Man · David Ruffin The Ultimate Collection: David Ruffin ℗ 1973 Motown Records, a Division of UMG Recordings, Inc. Released on: 1998-01-01 Producer: Bobby Miller Author, Composer: Bobby Miller Music Publisher: EMI Blackwood Music Inc. Auto-generated by YouTube.
    

Channel Title : David Ruffin - Topic

Views : 1861

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Published Date : 2017-01-25T21:39:52.000Z

Provided to YouTube by Universal Music Group North America Common Man · David Ruffin The Temptations / One By One / The Best Of Their Solo Years ℗ 1973 Motown Records, a Division of UMG Recordings, Inc. Released on: 1996-01-01 Producer: Bobby Miller Author, Composer: Bobby Miller Music Publisher: EMI Blackwood Music Inc. Auto-generated by YouTube.
    

Channel Title : MANNY MORA

Views : 5185

Likes : 38

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Published Date : 2013-05-05T07:06:56.000Z

David Ruffin's third and self-titled solo offering was in many ways a collaborative effort with Bobby Miller, who produced the David Ruffin (1973) album and supplied eight of its ten tracks. There is a conspicuous dichotomy between the personas that Ruffin portrays throughout the project and the man whose fractious relationship with Motown had practically cost him his association with the label. Things had gotten so bad, they permanently shelved what should have been Ruffin's third LP. Motown simply refused to put it out until cooler heads eventually prevailed some three decades later. He was likewise no longer afforded access to "A-list" material and support musicians either. While his previous outings had sold respectably, they certainly were no match for the likes of Stevie Wonder, Marvin Gaye, or even his former bandmates in the Temptations whose "Papa Was a Rollin' Stone" had been a crossover pop chart topper months earlier. "The Rovin' Kind" gets things underway bearing an almost emblematic mid-tempo Motown groove. Ruffin's once crystalline voice now endures the sonic substantiation of chronic drug and alcohol addiction. In a perverse way, the combination of his aging falsetto, coupled with the rough-hewn timbre, actually enhance his role in the ballad "Common Man," as well as the blithe and bouncy "I'm Just a Mortal Man" with the Andantes providing the equally amicable background vocals. The update of "(If Loving You Is Wrong) I Don't Want to Be Right" -- a seductive side that Luther Ingram had considerable success with the previous year -- is personalized as Ruffin confides in the opening that he is "a man in desperation" backing it up with the plea "can't you help the situation"? His short rhythmically spoken intro continues as he owns up to his reputation as a "wild child," begging the question whether Ruffin is actually in or out of character. The Philly-style soul of the Kenny Gamble/Leon Huff written "I Miss You" suits the heart-wrenching adaptation. The six-plus minute gritty social commentary "Blood Donors Needed (Give All You Can)" is a starkly accurate portrayal of inner-city life. Perhaps in the escapism mentality of the times, it failed to make an impact on the singles charts. Yet, the lack of a marketable 45 seems to have had little relevance on R&B record buyers as David Ruffin made it into the Top Five album survey -- although it did not fare nearly as well, peaking at number 168 on the pop side. Those slipping figures are endemic indicators of the increasing lack of interest that Motown would invest in Ruffin's future endeavors.
    

Channel Title : Bee Soulera

Views : 10026

Likes : 136

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Published Date : 2014-06-05T09:57:08.000Z

DAVID RUFFIN ~ COMMON MAN
    

Channel Title : MANNY MORA

Views : 92960

Likes : 601

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Published Date : 2013-05-02T14:29:32.000Z

After rising to superstardom as the Temptations' co-lead vocalist, David Ruffin concluded his oft-tumultuous relationship with the Motown quintet to forge a solo career. His debut album was less a statement regarding his status as a former Temp and more a reflection of the artist's temperament. Although drugs would begin to erode his immeasurable talents from the inside out, Ruffin can be heard at the top of his game on My Whole World Ended (1969). While he may have been out of the band, he was still considered a key component in the Motown family and, at least for a while, was afforded support by the best and brightest that the label had to offer. Among the perks was working with top-notch hit making producers Harvey Fuqua, Johnny Bristol, Paul Riser,and Ivory Joe Hunter -- all of whom add their magic to the mix. Ruffin's vocals are uniformly inspired, particularly when he pours himself into the performance. The LP kicks off with the title track, "My Whole World Ended (The Moment You Left Me)." The song's dark and somewhat menacing tone provides all the atmosphere Ruffin needs to unleash his trademark heart-wrenching leads. It is no wonder that the number made a significant impact as a Top Ten crossover smash. As was the assembly line nature of new Motown product, quite often the deeper cuts were just as appealing, especially when it was David Ruffin behind the microphone. The mid-tempo soul-stirrer "Pieces of a Man," as well as the churning funk-a-thons "World of Darkness" and "Flower Child" may be the effort's sleeper classics. Ruffin certainly isn't afraid to wear his heart on his sleeve either as the ballads "Message from Maria," "I've Lost Everything I've Ever Loved" and the radiant waltz "My Love Is Growing Stronger" demonstrate to great effect. Pop music fans will undoubtedly recognize the melody to "Everlasting Love" as it had already been a hit for Robert Knight two years earlier in 1967, while Carl Carlton -- a fellow Detroit-based singer -- would score even higher with his 1974 update. Perhaps the same fate could have befallen Ruffin's take had it been extracted as a single release. In the end the project didn't need too much help to take to the top of the R&B album survey for two weeks and into the Top 40 on the pop side. Parties looking for My Whole World Ended on CD are encouraged to check out the Hip-O Select Great David Ruffin: The Motown Solo Albums, Vol. 1 (2005) double-disc anthology. The contents have been digitally remastered and also offer Ruffin's follow-up long-players Feelin' Good (1969), David Ruffin (1973), and Me 'N Rock 'N Roll Are Here to Stay (1974).
    

Channel Title : MANNY MORA

Views : 5372

Likes : 46

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Published Date : 2013-05-03T06:59:55.000Z

Less than six months after the release of his triumphant solo debut My Whole World Ended (1969), Motown issued former Temptations' frontman David Ruffin's dozen-song follow-up Feelin' Good (1969). One factor in such a rapid turnaround was the availability of several leftovers from Ruffin's former project and another was undoubtedly to strike again while the iron was still hot -- as My Whole World Ended had topped the R&B charts for two weeks and spawned a pair of pop crossover hits to boot. Keen-eared listeners can discern the earlier recordings as Ruffin's voice hasn't developed the noticeably grittier quality that is reflected in the opening upbeat soul stirrer "Loving You (Is Hurting Me)." His timeless falsetto has a weariness that simply can't be simulated. Of the two non-Motown covers on this collection, the incendiary update of Dave Mason's "Feelin' Alright" wins hands down over the comparatively uninspired, but charming take of Jackie DeShannon's anthemic "Put a Little Love in Your Heart." None other than Motown founding father Berry Gordy himself is credited with the production on the gospel-flavored ballad "I'm So Glad I Fell for You." The raw emotion in Ruffin's fervent delivery and the spirited support of the Hal Davis Singers were enough to take the tune into the Top 20 R&B charts. Although the specific references may have changed, "I Could Never Be President" is as much a politically charged statement as it is an exuberant love song. It projects a more positive future than the present set of circumstances that most of Ruffin's core audience would have been concurrently experiencing. The exceptionally funky rocker "I Pray Everyday You Won't Regret Loving Me" -- which was co-penned by Gladys Knight and her brother (not to mention a Pip) Merald "Bubba" Knight -- is one of the better remnants from the My Whole World Ended sessions, standing among the album's better deep cuts. The lightness of Ashford & Simpson's "What You Gave to Me" pays an homage to Sagittarius' psychedelic sleeper "My World Fell Down" by essentially stealing the opening lyric "Just like a breath of spring/you came my way" and condensing it to "Like a breath of spring you came...." Ruffin's perfect falsetto helps turn in another excellent leftover, which is also the source for the sublime mid-tempo "I Let Love Slip Away." Before Ruffin was assigned the selection, a backing track was created for fellow Motown artist Marvin Gaye. As Gaye never got around to it, Ruffin was thankfully given a chance to see where he could take it. The austerity of Ruffin's instrument indicates more about his personal state of affairs than perhaps he had intended to reveal. Yet he is able to conjure up the same beguiling temperament that had contributed to masterpieces such as "I Wish It Would Rain" and "My Girl." Hip-O Select's Great David Ruffin: The Motown Solo Albums, Vol. 1 (2005) double-disc anthology includes Feelin' Good and its predecessor My Whole World Ended (1969), as well as David Ruffin (1973), and Me 'N Rock 'N Roll Are Here to Stay (1974) -- all of which have been digitally remastered for optimal fidelity.
    

Channel Title : blues676

Views : 247583

Likes : 1769

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Published Date : 2008-07-08T18:43:45.000Z

David Ruffin - The Double Cross 1969
    

Channel Title : Gilach

Views : 230190

Likes : 1024

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Published Date : 2008-03-11T18:32:40.000Z

From the album Gentleman Ruffin (1980)
    

Channel Title : Mario Moreno

Views : 531

Likes : 9

DisLikes : 0

Published Date : 2017-03-07T00:49:29.000Z

From the album The Ultimate Collection -Video Upload powered by https://www.TunesToTube.com
    

Channel Title : MANNY MORA

Views : 47604

Likes : 281

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Published Date : 2013-05-05T06:10:26.000Z

David Ruffin's third and self-titled solo offering was in many ways a collaborative effort with Bobby Miller, who produced the David Ruffin (1973) album and supplied eight of its ten tracks. There is a conspicuous dichotomy between the personas that Ruffin portrays throughout the project and the man whose fractious relationship with Motown had practically cost him his association with the label. Things had gotten so bad, they permanently shelved what should have been Ruffin's third LP. Motown simply refused to put it out until cooler heads eventually prevailed some three decades later. He was likewise no longer afforded access to "A-list" material and support musicians either. While his previous outings had sold respectably, they certainly were no match for the likes of Stevie Wonder, Marvin Gaye, or even his former bandmates in the Temptations whose "Papa Was a Rollin' Stone" had been a crossover pop chart topper months earlier. "The Rovin' Kind" gets things underway bearing an almost emblematic mid-tempo Motown groove. Ruffin's once crystalline voice now endures the sonic substantiation of chronic drug and alcohol addiction. In a perverse way, the combination of his aging falsetto, coupled with the rough-hewn timbre, actually enhance his role in the ballad "Common Man," as well as the blithe and bouncy "I'm Just a Mortal Man" with the Andantes providing the equally amicable background vocals. The update of "(If Loving You Is Wrong) I Don't Want to Be Right" -- a seductive side that Luther Ingram had considerable success with the previous year -- is personalized as Ruffin confides in the opening that he is "a man in desperation" backing it up with the plea "can't you help the situation"? His short rhythmically spoken intro continues as he owns up to his reputation as a "wild child," begging the question whether Ruffin is actually in or out of character. The Philly-style soul of the Kenny Gamble/Leon Huff written "I Miss You" suits the heart-wrenching adaptation. The six-plus minute gritty social commentary "Blood Donors Needed (Give All You Can)" is a starkly accurate portrayal of inner-city life. Perhaps in the escapism mentality of the times, it failed to make an impact on the singles charts. Yet, the lack of a marketable 45 seems to have had little relevance on R&B record buyers as David Ruffin made it into the Top Five album survey -- although it did not fare nearly as well, peaking at number 168 on the pop side. Those slipping figures are endemic indicators of the increasing lack of interest that Motown would invest in Ruffin's future endeavors.
    

Channel Title : emedeseh

Views : 54023

Likes : 272

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Published Date : 2009-12-10T16:12:48.000Z

Tema de David Ruffin sampleado por Lex Luthorz en la instrumental de Emsis,de Tr3s monos.
    

Channel Title : chillin616

Views : 83

Likes : 6

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Published Date : 2018-02-19T16:05:36.000Z

David Ruffin had an extraordinary voice. R.I.P. Enjoy ❤️♫
    

Channel Title : MANNY MORA

Views : 28522

Likes : 227

DisLikes : 10

Published Date : 2013-05-05T06:58:45.000Z

David Ruffin's third and self-titled solo offering was in many ways a collaborative effort with Bobby Miller, who produced the David Ruffin (1973) album and supplied eight of its ten tracks. There is a conspicuous dichotomy between the personas that Ruffin portrays throughout the project and the man whose fractious relationship with Motown had practically cost him his association with the label. Things had gotten so bad, they permanently shelved what should have been Ruffin's third LP. Motown simply refused to put it out until cooler heads eventually prevailed some three decades later. He was likewise no longer afforded access to "A-list" material and support musicians either. While his previous outings had sold respectably, they certainly were no match for the likes of Stevie Wonder, Marvin Gaye, or even his former bandmates in the Temptations whose "Papa Was a Rollin' Stone" had been a crossover pop chart topper months earlier. "The Rovin' Kind" gets things underway bearing an almost emblematic mid-tempo Motown groove. Ruffin's once crystalline voice now endures the sonic substantiation of chronic drug and alcohol addiction. In a perverse way, the combination of his aging falsetto, coupled with the rough-hewn timbre, actually enhance his role in the ballad "Common Man," as well as the blithe and bouncy "I'm Just a Mortal Man" with the Andantes providing the equally amicable background vocals. The update of "(If Loving You Is Wrong) I Don't Want to Be Right" -- a seductive side that Luther Ingram had considerable success with the previous year -- is personalized as Ruffin confides in the opening that he is "a man in desperation" backing it up with the plea "can't you help the situation"? His short rhythmically spoken intro continues as he owns up to his reputation as a "wild child," begging the question whether Ruffin is actually in or out of character. The Philly-style soul of the Kenny Gamble/Leon Huff written "I Miss You" suits the heart-wrenching adaptation. The six-plus minute gritty social commentary "Blood Donors Needed (Give All You Can)" is a starkly accurate portrayal of inner-city life. Perhaps in the escapism mentality of the times, it failed to make an impact on the singles charts. Yet, the lack of a marketable 45 seems to have had little relevance on R&B record buyers as David Ruffin made it into the Top Five album survey -- although it did not fare nearly as well, peaking at number 168 on the pop side. Those slipping figures are endemic indicators of the increasing lack of interest that Motown would invest in Ruffin's future endeavors.
    

Channel Title : DocRewdySoul

Views : 758025

Likes : 5303

DisLikes : 271

Published Date : 2011-12-11T07:47:18.000Z

The genius of David Ruffin ... written when he was 18 years old !
    

Channel Title : nascimento rodrigues

Views : 20

Likes : 1

DisLikes : 0

Published Date : 2017-04-30T01:56:17.000Z

    

Channel Title : MANNY MORA

Views : 38626

Likes : 217

DisLikes : 17

Published Date : 2013-05-04T21:16:34.000Z

David Ruffin's third and self-titled solo offering was in many ways a collaborative effort with Bobby Miller, who produced the David Ruffin (1973) album and supplied eight of its ten tracks. There is a conspicuous dichotomy between the personas that Ruffin portrays throughout the project and the man whose fractious relationship with Motown had practically cost him his association with the label. Things had gotten so bad, they permanently shelved what should have been Ruffin's third LP. Motown simply refused to put it out until cooler heads eventually prevailed some three decades later. He was likewise no longer afforded access to "A-list" material and support musicians either. While his previous outings had sold respectably, they certainly were no match for the likes of Stevie Wonder, Marvin Gaye, or even his former bandmates in the Temptations whose "Papa Was a Rollin' Stone" had been a crossover pop chart topper months earlier. "The Rovin' Kind" gets things underway bearing an almost emblematic mid-tempo Motown groove. Ruffin's once crystalline voice now endures the sonic substantiation of chronic drug and alcohol addiction. In a perverse way, the combination of his aging falsetto, coupled with the rough-hewn timbre, actually enhance his role in the ballad "Common Man," as well as the blithe and bouncy "I'm Just a Mortal Man" with the Andantes providing the equally amicable background vocals. The update of "(If Loving You Is Wrong) I Don't Want to Be Right" -- a seductive side that Luther Ingram had considerable success with the previous year -- is personalized as Ruffin confides in the opening that he is "a man in desperation" backing it up with the plea "can't you help the situation"? His short rhythmically spoken intro continues as he owns up to his reputation as a "wild child," begging the question whether Ruffin is actually in or out of character. The Philly-style soul of the Kenny Gamble/Leon Huff written "I Miss You" suits the heart-wrenching adaptation. The six-plus minute gritty social commentary "Blood Donors Needed (Give All You Can)" is a starkly accurate portrayal of inner-city life. Perhaps in the escapism mentality of the times, it failed to make an impact on the singles charts. Yet, the lack of a marketable 45 seems to have had little relevance on R&B record buyers as David Ruffin made it into the Top Five album survey -- although it did not fare nearly as well, peaking at number 168 on the pop side. Those slipping figures are endemic indicators of the increasing lack of interest that Motown would invest in Ruffin's future endeavors.
    

Channel Title : Sperminata

Views : 37560

Likes : 94

DisLikes : 3

Published Date : 2008-05-25T14:37:45.000Z

tribute to A Common Man
    

Channel Title : mosogotam

Views : 2855640

Likes : 17481

DisLikes : 1401

Published Date : 2012-03-31T01:36:19.000Z

No copyright infringement intended. The late David Ruffin's first solo release, in 1969, after leaving the Temptations in 1968....extended.....
    

Channel Title : MANNY MORA

Views : 240795

Likes : 2083

DisLikes : 68

Published Date : 2013-05-05T06:16:09.000Z

David Ruffin's third and self-titled solo offering was in many ways a collaborative effort with Bobby Miller, who produced the David Ruffin (1973) album and supplied eight of its ten tracks. There is a conspicuous dichotomy between the personas that Ruffin portrays throughout the project and the man whose fractious relationship with Motown had practically cost him his association with the label. Things had gotten so bad, they permanently shelved what should have been Ruffin's third LP. Motown simply refused to put it out until cooler heads eventually prevailed some three decades later. He was likewise no longer afforded access to "A-list" material and support musicians either. While his previous outings had sold respectably, they certainly were no match for the likes of Stevie Wonder, Marvin Gaye, or even his former bandmates in the Temptations whose "Papa Was a Rollin' Stone" had been a crossover pop chart topper months earlier. "The Rovin' Kind" gets things underway bearing an almost emblematic mid-tempo Motown groove. Ruffin's once crystalline voice now endures the sonic substantiation of chronic drug and alcohol addiction. In a perverse way, the combination of his aging falsetto, coupled with the rough-hewn timbre, actually enhance his role in the ballad "Common Man," as well as the blithe and bouncy "I'm Just a Mortal Man" with the Andantes providing the equally amicable background vocals. The update of "(If Loving You Is Wrong) I Don't Want to Be Right" -- a seductive side that Luther Ingram had considerable success with the previous year -- is personalized as Ruffin confides in the opening that he is "a man in desperation" backing it up with the plea "can't you help the situation"? His short rhythmically spoken intro continues as he owns up to his reputation as a "wild child," begging the question whether Ruffin is actually in or out of character. The Philly-style soul of the Kenny Gamble/Leon Huff written "I Miss You" suits the heart-wrenching adaptation. The six-plus minute gritty social commentary "Blood Donors Needed (Give All You Can)" is a starkly accurate portrayal of inner-city life. Perhaps in the escapism mentality of the times, it failed to make an impact on the singles charts. Yet, the lack of a marketable 45 seems to have had little relevance on R&B record buyers as David Ruffin made it into the Top Five album survey -- although it did not fare nearly as well, peaking at number 168 on the pop side. Those slipping figures are endemic indicators of the increasing lack of interest that Motown would invest in Ruffin's future endeavors.
    

Channel Title : Bad14v

Views : 449

Likes : 8

DisLikes : 0

Published Date : 2013-05-26T20:53:40.000Z

    

Channel Title : MANNY MORA

Views : 191461

Likes : 1327

DisLikes : 44

Published Date : 2013-05-02T14:21:38.000Z

After rising to superstardom as the Temptations' co-lead vocalist, David Ruffin concluded his oft-tumultuous relationship with the Motown quintet to forge a solo career. His debut album was less a statement regarding his status as a former Temp and more a reflection of the artist's temperament. Although drugs would begin to erode his immeasurable talents from the inside out, Ruffin can be heard at the top of his game on My Whole World Ended (1969). While he may have been out of the band, he was still considered a key component in the Motown family and, at least for a while, was afforded support by the best and brightest that the label had to offer. Among the perks was working with top-notch hit making producers Harvey Fuqua, Johnny Bristol, Paul Riser,and Ivory Joe Hunter -- all of whom add their magic to the mix. Ruffin's vocals are uniformly inspired, particularly when he pours himself into the performance. The LP kicks off with the title track, "My Whole World Ended (The Moment You Left Me)." The song's dark and somewhat menacing tone provides all the atmosphere Ruffin needs to unleash his trademark heart-wrenching leads. It is no wonder that the number made a significant impact as a Top Ten crossover smash. As was the assembly line nature of new Motown product, quite often the deeper cuts were just as appealing, especially when it was David Ruffin behind the microphone. The mid-tempo soul-stirrer "Pieces of a Man," as well as the churning funk-a-thons "World of Darkness" and "Flower Child" may be the effort's sleeper classics. Ruffin certainly isn't afraid to wear his heart on his sleeve either as the ballads "Message from Maria," "I've Lost Everything I've Ever Loved" and the radiant waltz "My Love Is Growing Stronger" demonstrate to great effect. Pop music fans will undoubtedly recognize the melody to "Everlasting Love" as it had already been a hit for Robert Knight two years earlier in 1967, while Carl Carlton -- a fellow Detroit-based singer -- would score even higher with his 1974 update. Perhaps the same fate could have befallen Ruffin's take had it been extracted as a single release. In the end the project didn't need too much help to take to the top of the R&B album survey for two weeks and into the Top 40 on the pop side. Parties looking for My Whole World Ended on CD are encouraged to check out the Hip-O Select Great David Ruffin: The Motown Solo Albums, Vol. 1 (2005) double-disc anthology. The contents have been digitally remastered and also offer Ruffin's follow-up long-players Feelin' Good (1969), David Ruffin (1973), and Me 'N Rock 'N Roll Are Here to Stay (1974).
    

Channel Title : funkpunkandroll

Views : 277

Likes : 2

DisLikes : 0

Published Date : 2014-06-24T00:03:12.000Z

"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."
    

Channel Title : Rene Dawson

Views : 13207

Likes : 171

DisLikes : 5

Published Date : 2012-04-14T22:08:12.000Z

The best soul voice!!!
    

Channel Title : MANNY MORA

Views : 12333

Likes : 114

DisLikes : 2

Published Date : 2013-05-02T14:46:20.000Z

After rising to superstardom as the Temptations' co-lead vocalist, David Ruffin concluded his oft-tumultuous relationship with the Motown quintet to forge a solo career. His debut album was less a statement regarding his status as a former Temp and more a reflection of the artist's temperament. Although drugs would begin to erode his immeasurable talents from the inside out, Ruffin can be heard at the top of his game on My Whole World Ended (1969). While he may have been out of the band, he was still considered a key component in the Motown family and, at least for a while, was afforded support by the best and brightest that the label had to offer. Among the perks was working with top-notch hit making producers Harvey Fuqua, Johnny Bristol, Paul Riser,and Ivory Joe Hunter -- all of whom add their magic to the mix. Ruffin's vocals are uniformly inspired, particularly when he pours himself into the performance. The LP kicks off with the title track, "My Whole World Ended (The Moment You Left Me)." The song's dark and somewhat menacing tone provides all the atmosphere Ruffin needs to unleash his trademark heart-wrenching leads. It is no wonder that the number made a significant impact as a Top Ten crossover smash. As was the assembly line nature of new Motown product, quite often the deeper cuts were just as appealing, especially when it was David Ruffin behind the microphone. The mid-tempo soul-stirrer "Pieces of a Man," as well as the churning funk-a-thons "World of Darkness" and "Flower Child" may be the effort's sleeper classics. Ruffin certainly isn't afraid to wear his heart on his sleeve either as the ballads "Message from Maria," "I've Lost Everything I've Ever Loved" and the radiant waltz "My Love Is Growing Stronger" demonstrate to great effect. Pop music fans will undoubtedly recognize the melody to "Everlasting Love" as it had already been a hit for Robert Knight two years earlier in 1967, while Carl Carlton -- a fellow Detroit-based singer -- would score even higher with his 1974 update. Perhaps the same fate could have befallen Ruffin's take had it been extracted as a single release. In the end the project didn't need too much help to take to the top of the R&B album survey for two weeks and into the Top 40 on the pop side. Parties looking for My Whole World Ended on CD are encouraged to check out the Hip-O Select Great David Ruffin: The Motown Solo Albums, Vol. 1 (2005) double-disc anthology. The contents have been digitally remastered and also offer Ruffin's follow-up long-players Feelin' Good (1969), David Ruffin (1973), and Me 'N Rock 'N Roll Are Here to Stay (1974).
    

Channel Title : MANNY MORA

Views : 108754

Likes : 785

DisLikes : 22

Published Date : 2013-05-04T13:29:00.000Z

It's well known that Motown recorded more material than it could release, but its reasons for shelving material remain a mystery to this day. Ever since the CD reissue boom of the late '80s, this unreleased material has begun to trickle out of the vaults, and when it does surface in such forms as the dynamite double-disc set A Cellarful of Motown!, the music is so good it's hard to believe that it never was released at the time. Knowing this, it should not come as a complete surprise that former Temptations lead singer David Ruffin had a full, completed album shelved in 1971, but hearing Hip-O Select's excavation of that album on the 2004 release David: The Unreleased Album, it's still a wonder that this record sat in the vaults for over three decades, with very few of the songs recorded during the sessions appearing on other records and compilations over the years. Far from being unreleasable, David (titled as such because the album was never given a proper title -- it was given a catalog number and track sequencing, with David Ruffin penciled in as its name, but that was used as the title for his 1973 album) finds Ruffin at a solo peak, not just a singer but in terms of material. He cut the 12 songs that comprised the album, along with the seven bonus tracks from the same sessions that fill out this CD reissue, in late 1969 and 1970, after he had a big solo hit with "My Whole World Ended (The Moment You Left Me)," with the intent of releasing the album in 1971. There were a pair of covers of recent hits -- an appropriately heartbroken and seductive "Rainy Night in Georgia" and a rather revelatory "I Want You Back," which added real grit to the Jackson 5's effervescent smash -- but most of this was material written for Ruffin and it played to his strengths. While this music was rooted in Motown's signature sound and performed by the Funk Brothers, it also looked beyond Detroit, adding heavy doses of funk, psychedelia, and smooth soul, filled with galvanizing horns, driving guitars, down-n-dirty clavinets, flourishes of electric sitar, fuzz tones, and wah-wah guitars, all grounded by Ruffin's earthy testifying and tied together by top-notch songwriting. All these elements wound up sounding much hipper than much of the music officially released by Motown in the early 1970, when Stevie Wonder and Marvin Gaye were just beginning to break free of the studio's formula, and while David and its accompanying bonus tracks are not a masterpiece along the lines of Talking Book or What's Going On (or even Where I'm Coming From, for that matter), it's vibrant, exciting music that still sounds fresh -- arguably fresher than full-length Temptations albums of the late '60s -- which qualifies it as a lost classic of sorts. Why was it lost, consigned to the vaults for nearly three and a half decades? According to the liner notes, nobody really knows. Ruffin wasn't popular among the executives at Motown in the early '70s, and he was also going through a number of well-documented personal problems, so it's possible that Motown simply didn't want to promote him at the time, but it's also true that the label had a number of great records, including Marvin's What's Going On, to release in 1971, and Ruffin had two LPs out in 1970, including a duet album with his brother Jimmy, so the market may have been saturated. We'll likely never know the reason why David was buried, but fortunately it has been unearthed, and it's a reason for hardcore soul and Motown fans to celebrate.
    

Channel Title : TheRAREGROOVEMAN

Views : 1284

Likes : 22

DisLikes : 0

Published Date : 2015-11-07T20:57:13.000Z

    

Channel Title : Imabearmeow

Views : 26873

Likes : 92

DisLikes : 1

Published Date : 2012-04-07T19:27:01.000Z

Kanye West - Welcome To Kanye's Soul Mix Show (Mixtape) . . . 06. Common Man (Never Change) - David Ruffin . . . download: http://www.sendspace.com/file/kz18ys source: djatrak.com
    

Channel Title : SoulvilleCounty

Views : 933

Likes : 10

DisLikes : 0

Published Date : 2013-11-23T10:23:08.000Z

David Ruffin ***NO COPYRIGHT INFRINGEMENT INTENDED***ALL RIGHTS GO TO THE ARTIST'S RESPECTIVE LABEL***I DO NOT OWN THIS SONG!***FOR ENTERTAINMENT PURPOSES ONLY***I DON'T OWN ANYTHING!!***
    

Channel Title : David Ruffin - Topic

Views : 2698

Likes : 35

DisLikes : 3

Published Date : 2017-02-11T18:40:20.000Z

Provided to YouTube by Universal Music Group North America Pieces Of A Man · David Ruffin The Ultimate Collection: David Ruffin ℗ 1969 Motown Records, a Division of UMG Recordings, Inc. Released on: 1998-01-01 Producer: Johnny Bristol Author, Composer: Johnny Bristol Author, Composer: Pamela Sawyer Music Publisher: Jobete Music Co. Inc. Auto-generated by YouTube.
    

Channel Title : MANNY MORA

Views : 38861

Likes : 420

DisLikes : 18

Published Date : 2013-05-05T06:47:40.000Z

David Ruffin's third and self-titled solo offering was in many ways a collaborative effort with Bobby Miller, who produced the David Ruffin (1973) album and supplied eight of its ten tracks. There is a conspicuous dichotomy between the personas that Ruffin portrays throughout the project and the man whose fractious relationship with Motown had practically cost him his association with the label. Things had gotten so bad, they permanently shelved what should have been Ruffin's third LP. Motown simply refused to put it out until cooler heads eventually prevailed some three decades later. He was likewise no longer afforded access to "A-list" material and support musicians either. While his previous outings had sold respectably, they certainly were no match for the likes of Stevie Wonder, Marvin Gaye, or even his former bandmates in the Temptations whose "Papa Was a Rollin' Stone" had been a crossover pop chart topper months earlier. "The Rovin' Kind" gets things underway bearing an almost emblematic mid-tempo Motown groove. Ruffin's once crystalline voice now endures the sonic substantiation of chronic drug and alcohol addiction. In a perverse way, the combination of his aging falsetto, coupled with the rough-hewn timbre, actually enhance his role in the ballad "Common Man," as well as the blithe and bouncy "I'm Just a Mortal Man" with the Andantes providing the equally amicable background vocals. The update of "(If Loving You Is Wrong) I Don't Want to Be Right" -- a seductive side that Luther Ingram had considerable success with the previous year -- is personalized as Ruffin confides in the opening that he is "a man in desperation" backing it up with the plea "can't you help the situation"? His short rhythmically spoken intro continues as he owns up to his reputation as a "wild child," begging the question whether Ruffin is actually in or out of character. The Philly-style soul of the Kenny Gamble/Leon Huff written "I Miss You" suits the heart-wrenching adaptation. The six-plus minute gritty social commentary "Blood Donors Needed (Give All You Can)" is a starkly accurate portrayal of inner-city life. Perhaps in the escapism mentality of the times, it failed to make an impact on the singles charts. Yet, the lack of a marketable 45 seems to have had little relevance on R&B record buyers as David Ruffin made it into the Top Five album survey -- although it did not fare nearly as well, peaking at number 168 on the pop side. Those slipping figures are endemic indicators of the increasing lack of interest that Motown would invest in Ruffin's future endeavors.
    

Channel Title : MANNY MORA

Views : 5511

Likes : 54

DisLikes : 2

Published Date : 2013-05-05T14:44:17.000Z

[BONUS TRACK] "Crime in the Street" from David's (Motown Solo albums Vol.1) David Ruffin's third and self-titled solo offering was in many ways a collaborative effort with Bobby Miller, who produced the David Ruffin (1973) album and supplied eight of its ten tracks. There is a conspicuous dichotomy between the personas that Ruffin portrays throughout the project and the man whose fractious relationship with Motown had practically cost him his association with the label. Things had gotten so bad, they permanently shelved what should have been Ruffin's third LP. Motown simply refused to put it out until cooler heads eventually prevailed some three decades later. He was likewise no longer afforded access to "A-list" material and support musicians either. While his previous outings had sold respectably, they certainly were no match for the likes of Stevie Wonder, Marvin Gaye, or even his former bandmates in the Temptations whose "Papa Was a Rollin' Stone" had been a crossover pop chart topper months earlier. "The Rovin' Kind" gets things underway bearing an almost emblematic mid-tempo Motown groove. Ruffin's once crystalline voice now endures the sonic substantiation of chronic drug and alcohol addiction. In a perverse way, the combination of his aging falsetto, coupled with the rough-hewn timbre, actually enhance his role in the ballad "Common Man," as well as the blithe and bouncy "I'm Just a Mortal Man" with the Andantes providing the equally amicable background vocals. The update of "(If Loving You Is Wrong) I Don't Want to Be Right" -- a seductive side that Luther Ingram had considerable success with the previous year -- is personalized as Ruffin confides in the opening that he is "a man in desperation" backing it up with the plea "can't you help the situation"? His short rhythmically spoken intro continues as he owns up to his reputation as a "wild child," begging the question whether Ruffin is actually in or out of character. The Philly-style soul of the Kenny Gamble/Leon Huff written "I Miss You" suits the heart-wrenching adaptation. The six-plus minute gritty social commentary "Blood Donors Needed (Give All You Can)" is a starkly accurate portrayal of inner-city life. Perhaps in the escapism mentality of the times, it failed to make an impact on the singles charts. Yet, the lack of a marketable 45 seems to have had little relevance on R&B record buyers as David Ruffin made it into the Top Five album survey -- although it did not fare nearly as well, peaking at number 168 on the pop side. Those slipping figures are endemic indicators of the increasing lack of interest that Motown would invest in Ruffin's future endeavors.
    

Channel Title : Grown Folks

Views : 13879330

Likes : 96152

DisLikes : 7512

Published Date : 2012-04-22T10:29:53.000Z

Walk Away from Love was produced by Van McCoy and reached number nine on the Pop chart. It sold over one million copies, and was awarded a gold disc by the R.I.A.A. in February 1976. David Ruffin - Walk Away From Love from the album Who I Am.
    

Channel Title : MANNY MORA

Views : 9876

Likes : 109

DisLikes : 1

Published Date : 2013-05-02T15:12:08.000Z

After rising to superstardom as the Temptations' co-lead vocalist, David Ruffin concluded his oft-tumultuous relationship with the Motown quintet to forge a solo career. His debut album was less a statement regarding his status as a former Temp and more a reflection of the artist's temperament. Although drugs would begin to erode his immeasurable talents from the inside out, Ruffin can be heard at the top of his game on My Whole World Ended (1969). While he may have been out of the band, he was still considered a key component in the Motown family and, at least for a while, was afforded support by the best and brightest that the label had to offer. Among the perks was working with top-notch hit making producers Harvey Fuqua, Johnny Bristol, Paul Riser,and Ivory Joe Hunter -- all of whom add their magic to the mix. Ruffin's vocals are uniformly inspired, particularly when he pours himself into the performance. The LP kicks off with the title track, "My Whole World Ended (The Moment You Left Me)." The song's dark and somewhat menacing tone provides all the atmosphere Ruffin needs to unleash his trademark heart-wrenching leads. It is no wonder that the number made a significant impact as a Top Ten crossover smash. As was the assembly line nature of new Motown product, quite often the deeper cuts were just as appealing, especially when it was David Ruffin behind the microphone. The mid-tempo soul-stirrer "Pieces of a Man," as well as the churning funk-a-thons "World of Darkness" and "Flower Child" may be the effort's sleeper classics. Ruffin certainly isn't afraid to wear his heart on his sleeve either as the ballads "Message from Maria," "I've Lost Everything I've Ever Loved" and the radiant waltz "My Love Is Growing Stronger" demonstrate to great effect. Pop music fans will undoubtedly recognize the melody to "Everlasting Love" as it had already been a hit for Robert Knight two years earlier in 1967, while Carl Carlton -- a fellow Detroit-based singer -- would score even higher with his 1974 update. Perhaps the same fate could have befallen Ruffin's take had it been extracted as a single release. In the end the project didn't need too much help to take to the top of the R&B album survey for two weeks and into the Top 40 on the pop side. Parties looking for My Whole World Ended on CD are encouraged to check out the Hip-O Select Great David Ruffin: The Motown Solo Albums, Vol. 1 (2005) double-disc anthology. The contents have been digitally remastered and also offer Ruffin's follow-up long-players Feelin' Good (1969), David Ruffin (1973), and Me 'N Rock 'N Roll Are Here to Stay (1974).
    

Channel Title : chicanoII

Views : 343

Likes : 4

DisLikes : 0

Published Date : 2014-11-10T01:09:00.000Z

Description
    

Channel Title : John G Byrne

Views : 2284

Likes : 30

DisLikes : 0

Published Date : 2013-01-12T19:32:18.000Z

MotownMagic1959 This lovely tune was written by Motown writer the underrated Bobby Miller, not released as a single at the time, this sounds slightly like a country song doesn't it? David had such a superb voice, like his brother Jimmy, they came from Mississippi originally, too! David left home at 14 to seek his fortune, and that was a very long time ago now. JOHN
    

Channel Title : MANNY MORA

Views : 15473

Likes : 129

DisLikes : 5

Published Date : 2013-05-05T06:54:53.000Z

David Ruffin's third and self-titled solo offering was in many ways a collaborative effort with Bobby Miller, who produced the David Ruffin (1973) album and supplied eight of its ten tracks. There is a conspicuous dichotomy between the personas that Ruffin portrays throughout the project and the man whose fractious relationship with Motown had practically cost him his association with the label. Things had gotten so bad, they permanently shelved what should have been Ruffin's third LP. Motown simply refused to put it out until cooler heads eventually prevailed some three decades later. He was likewise no longer afforded access to "A-list" material and support musicians either. While his previous outings had sold respectably, they certainly were no match for the likes of Stevie Wonder, Marvin Gaye, or even his former bandmates in the Temptations whose "Papa Was a Rollin' Stone" had been a crossover pop chart topper months earlier. "The Rovin' Kind" gets things underway bearing an almost emblematic mid-tempo Motown groove. Ruffin's once crystalline voice now endures the sonic substantiation of chronic drug and alcohol addiction. In a perverse way, the combination of his aging falsetto, coupled with the rough-hewn timbre, actually enhance his role in the ballad "Common Man," as well as the blithe and bouncy "I'm Just a Mortal Man" with the Andantes providing the equally amicable background vocals. The update of "(If Loving You Is Wrong) I Don't Want to Be Right" -- a seductive side that Luther Ingram had considerable success with the previous year -- is personalized as Ruffin confides in the opening that he is "a man in desperation" backing it up with the plea "can't you help the situation"? His short rhythmically spoken intro continues as he owns up to his reputation as a "wild child," begging the question whether Ruffin is actually in or out of character. The Philly-style soul of the Kenny Gamble/Leon Huff written "I Miss You" suits the heart-wrenching adaptation. The six-plus minute gritty social commentary "Blood Donors Needed (Give All You Can)" is a starkly accurate portrayal of inner-city life. Perhaps in the escapism mentality of the times, it failed to make an impact on the singles charts. Yet, the lack of a marketable 45 seems to have had little relevance on R&B record buyers as David Ruffin made it into the Top Five album survey -- although it did not fare nearly as well, peaking at number 168 on the pop side. Those slipping figures are endemic indicators of the increasing lack of interest that Motown would invest in Ruffin's future endeavors.
    

Channel Title : MANNY MORA

Views : 9588

Likes : 79

DisLikes : 3

Published Date : 2013-05-02T15:32:59.000Z

After rising to superstardom as the Temptations' co-lead vocalist, David Ruffin concluded his oft-tumultuous relationship with the Motown quintet to forge a solo career. His debut album was less a statement regarding his status as a former Temp and more a reflection of the artist's temperament. Although drugs would begin to erode his immeasurable talents from the inside out, Ruffin can be heard at the top of his game on My Whole World Ended (1969). While he may have been out of the band, he was still considered a key component in the Motown family and, at least for a while, was afforded support by the best and brightest that the label had to offer. Among the perks was working with top-notch hit making producers Harvey Fuqua, Johnny Bristol, Paul Riser,and Ivory Joe Hunter -- all of whom add their magic to the mix. Ruffin's vocals are uniformly inspired, particularly when he pours himself into the performance. The LP kicks off with the title track, "My Whole World Ended (The Moment You Left Me)." The song's dark and somewhat menacing tone provides all the atmosphere Ruffin needs to unleash his trademark heart-wrenching leads. It is no wonder that the number made a significant impact as a Top Ten crossover smash. As was the assembly line nature of new Motown product, quite often the deeper cuts were just as appealing, especially when it was David Ruffin behind the microphone. The mid-tempo soul-stirrer "Pieces of a Man," as well as the churning funk-a-thons "World of Darkness" and "Flower Child" may be the effort's sleeper classics. Ruffin certainly isn't afraid to wear his heart on his sleeve either as the ballads "Message from Maria," "I've Lost Everything I've Ever Loved" and the radiant waltz "My Love Is Growing Stronger" demonstrate to great effect. Pop music fans will undoubtedly recognize the melody to "Everlasting Love" as it had already been a hit for Robert Knight two years earlier in 1967, while Carl Carlton -- a fellow Detroit-based singer -- would score even higher with his 1974 update. Perhaps the same fate could have befallen Ruffin's take had it been extracted as a single release. In the end the project didn't need too much help to take to the top of the R&B album survey for two weeks and into the Top 40 on the pop side. Parties looking for My Whole World Ended on CD are encouraged to check out the Hip-O Select Great David Ruffin: The Motown Solo Albums, Vol. 1 (2005) double-disc anthology. The contents have been digitally remastered and also offer Ruffin's follow-up long-players Feelin' Good (1969), David Ruffin (1973), and Me 'N Rock 'N Roll Are Here to Stay (1974).
    

Channel Title : DJ Willy B

Views : 13768

Likes : 41

DisLikes : 9

Published Date : 2011-12-04T04:01:23.000Z

david ruffin sample, new ish check it http://www.youtube.com/infamousbproductions BEATS! http://www.reverbnation.com/djwillyb REVERB! http://www.facebook.com/Theee4th FACEBOOK! http://www.facebook.com/TheOfficialDJWillyB FACEBOOK FAN! http://www.twitter.com/DJWillyB215 TWITTER! http://www.infamousb.spreadshirt.com/ CLOTHLING! http://www.youtube.com/billybranchide5524 MIXES! Music Producer/Engineer, Pianist, Electronic Keyboard, Various Styled Hip-Hop Instrumentals, Graphic Art, Logos, Album Covers, Clothing Line, Custom Soundkits, Sampling, Mixing & Mastering, Promotion. www.soundcloud.com/theinfamousdjwillyb NEW BEATS www.broke-n-famous.spreadshirt.com CLOTHING instagram.com/djwillyb215 INSTAGRAM www.facebook.com/DJWillyB FB www.twitter.com/DJWillyB215 TWITTER www.reverbnation.com/djwillyb REVERB www.djwillyb.tumblr.com/ TUMBLR www.facebook.com/TheOfficialDJWillyB FB FAN www.youtube.com/infamousbproductions OLD BEATS Reasonable prices via Paypal. Contact for more details. Infamous B Productions℗ est. 2007 Broke-N-Famous© est. 2014 DJWillyB215@gmail.com William E. Branchide Music Producer/Engineer, Pianist, Electronic Keyboard, Various Styled Hip-Hop Instrumentals, Graphic Art, Logos, Album Covers, Clothing Line, Custom Soundkits, Sampling, Mixing & Mastering, Promotion. www.soundcloud.com/theinfamousdjwillyb NEW BEATS www.broke-n-famous.spreadshirt.com CLOTHING instagram.com/djwillyb215 INSTAGRAM www.facebook.com/DJWillyB FB www.twitter.com/DJWillyB215 TWITTER www.reverbnation.com/djwillyb REVERB www.djwillyb.tumblr.com/ TUMBLR www.facebook.com/TheOfficialDJWillyB FB FAN www.youtube.com/infamousbproductions OLD BEATS Reasonable prices via Paypal. Contact for more details. Infamous B Productions℗ est. 2007 Broke-N-Famous© est. 2014 DJWillyB215@gmail.com William E. Branchide
    

Channel Title : branbranx2

Views : 271

Likes : 2

DisLikes : 0

Published Date : 2017-11-08T19:58:00.000Z

    

Channel Title : MANNY MORA

Views : 5097

Likes : 36

DisLikes : 0

Published Date : 2013-05-05T06:41:28.000Z

David Ruffin's third and self-titled solo offering was in many ways a collaborative effort with Bobby Miller, who produced the David Ruffin (1973) album and supplied eight of its ten tracks. There is a conspicuous dichotomy between the personas that Ruffin portrays throughout the project and the man whose fractious relationship with Motown had practically cost him his association with the label. Things had gotten so bad, they permanently shelved what should have been Ruffin's third LP. Motown simply refused to put it out until cooler heads eventually prevailed some three decades later. He was likewise no longer afforded access to "A-list" material and support musicians either. While his previous outings had sold respectably, they certainly were no match for the likes of Stevie Wonder, Marvin Gaye, or even his former bandmates in the Temptations whose "Papa Was a Rollin' Stone" had been a crossover pop chart topper months earlier. "The Rovin' Kind" gets things underway bearing an almost emblematic mid-tempo Motown groove. Ruffin's once crystalline voice now endures the sonic substantiation of chronic drug and alcohol addiction. In a perverse way, the combination of his aging falsetto, coupled with the rough-hewn timbre, actually enhance his role in the ballad "Common Man," as well as the blithe and bouncy "I'm Just a Mortal Man" with the Andantes providing the equally amicable background vocals. The update of "(If Loving You Is Wrong) I Don't Want to Be Right" -- a seductive side that Luther Ingram had considerable success with the previous year -- is personalized as Ruffin confides in the opening that he is "a man in desperation" backing it up with the plea "can't you help the situation"? His short rhythmically spoken intro continues as he owns up to his reputation as a "wild child," begging the question whether Ruffin is actually in or out of character. The Philly-style soul of the Kenny Gamble/Leon Huff written "I Miss You" suits the heart-wrenching adaptation. The six-plus minute gritty social commentary "Blood Donors Needed (Give All You Can)" is a starkly accurate portrayal of inner-city life. Perhaps in the escapism mentality of the times, it failed to make an impact on the singles charts. Yet, the lack of a marketable 45 seems to have had little relevance on R&B record buyers as David Ruffin made it into the Top Five album survey -- although it did not fare nearly as well, peaking at number 168 on the pop side. Those slipping figures are endemic indicators of the increasing lack of interest that Motown would invest in Ruffin's future endeavors.
    

Channel Title : MANNY MORA

Views : 4217

Likes : 21

DisLikes : 3

Published Date : 2013-05-05T07:03:17.000Z

David Ruffin's third and self-titled solo offering was in many ways a collaborative effort with Bobby Miller, who produced the David Ruffin (1973) album and supplied eight of its ten tracks. There is a conspicuous dichotomy between the personas that Ruffin portrays throughout the project and the man whose fractious relationship with Motown had practically cost him his association with the label. Things had gotten so bad, they permanently shelved what should have been Ruffin's third LP. Motown simply refused to put it out until cooler heads eventually prevailed some three decades later. He was likewise no longer afforded access to "A-list" material and support musicians either. While his previous outings had sold respectably, they certainly were no match for the likes of Stevie Wonder, Marvin Gaye, or even his former bandmates in the Temptations whose "Papa Was a Rollin' Stone" had been a crossover pop chart topper months earlier. "The Rovin' Kind" gets things underway bearing an almost emblematic mid-tempo Motown groove. Ruffin's once crystalline voice now endures the sonic substantiation of chronic drug and alcohol addiction. In a perverse way, the combination of his aging falsetto, coupled with the rough-hewn timbre, actually enhance his role in the ballad "Common Man," as well as the blithe and bouncy "I'm Just a Mortal Man" with the Andantes providing the equally amicable background vocals. The update of "(If Loving You Is Wrong) I Don't Want to Be Right" -- a seductive side that Luther Ingram had considerable success with the previous year -- is personalized as Ruffin confides in the opening that he is "a man in desperation" backing it up with the plea "can't you help the situation"? His short rhythmically spoken intro continues as he owns up to his reputation as a "wild child," begging the question whether Ruffin is actually in or out of character. The Philly-style soul of the Kenny Gamble/Leon Huff written "I Miss You" suits the heart-wrenching adaptation. The six-plus minute gritty social commentary "Blood Donors Needed (Give All You Can)" is a starkly accurate portrayal of inner-city life. Perhaps in the escapism mentality of the times, it failed to make an impact on the singles charts. Yet, the lack of a marketable 45 seems to have had little relevance on R&B record buyers as David Ruffin made it into the Top Five album survey -- although it did not fare nearly as well, peaking at number 168 on the pop side. Those slipping figures are endemic indicators of the increasing lack of interest that Motown would invest in Ruffin's future endeavors.
    

Channel Title : blues676

Views : 63121

Likes : 405

DisLikes : 3

Published Date : 2008-07-08T19:11:31.000Z

from his 1973 album

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